"12 Danzas espanolas (Spanish Dances), Op. 37 (arr. P. Breiner): No. 2 Orientale: Andante" by Peter Breiner, Enrique Granados, Norbert Kraft, Razumovsky Sinfonia had its release date on April 5, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Enrique Granados, Peter Breiner's "Granados: Spanish Dances / Escenas Poeticas" album is number 2 out of 15. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, 12 Danzas espanolas (Spanish Dances), Op. 37 (arr. P. Breiner): No. 2 Orientale: Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 12 Danzas espanolas (Spanish Dances), Op. 37 (arr. P. Breiner): No. 2 Orientale: Andante by Peter Breiner, Enrique Granados, Norbert Kraft, Razumovsky Sinfonia to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
| II. Andante sostenuto (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | G Major | 0 | 9B | 70 BPM | ||
| Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | ||
| Main Theme | Peter Breiner | C Major | 2 | 8B | 86 BPM | ||
| Serenade to Youth | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 121 BPM | ||
| Crisálida Blues 3 : Me estremezco si me miras | Juan Pablo Fernández Ramos | C Major | 0 | 8B | 111 BPM | ||
| Piano Trio No. 39 in G Major, Hob. XV: 25 'Gypsy": II. Poco adagio | Joseph Haydn, Trio Wanderer | E Major | 0 | 12B | 89 BPM | ||
| Monstruos Imposibles | Sirenas Celestiales | E♭ Minor | 2 | 2A | 91 BPM | ||
| Schwanengesang, S. 560: VII. Ständchen (2nd Version, After Schubert D. 957/4) | Franz Liszt, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| Sleepy Rain | Rhett ShawcroftStudio | C Major | 1 | 8B | 109 BPM | ||
| Sonata for Violin & Harp No. 4 in E-Flat Major, Op. 113 (Version for Cello & Harp): II. Adagio | Louis Spohr, Helga Storck, Klaus Storck | A Major | 0 | 11B | 117 BPM | ||
| Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (Arr. for Piano by Ignaz Friedman) | Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
| Ma mère l'oye, M. 62: Apothéose. Le jardin féerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 62 BPM | ||
| L'Arlésienne Suite No. 2 (Arr. Guiraud): III. Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
| Adagio in E-Flat Major | Fanny Mendelssohn, Heather Schmidt | E♭ Minor | 0 | 2A | 90 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 100 BPM | ||
| Best of Friends | Peter Breiner, Don Gillis | F Major | 1 | 7B | 48 BPM | ||
| Majesty | Philipp Alexander Geitmann | E Minor | 1 | 9A | 125 BPM | ||
| Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Chanson de Matin, Op. 15 No. 2 | Donald Sosin, Edward Elgar, Nora Shulman, Judy Loman | B♭ Major | 1 | 6B | 134 BPM | ||
| Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) | Léo Delibes, BBC Concert Orchestra, Barry Wordsworth | B Major | 2 | 1B | 71 BPM | ||
| Florida Suite: II. By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | G Major | 0 | 9B | 68 BPM |