On October 30, 2020, the song "Why Did You Use Me" was released by Lillian Williams. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Love and Harmony: High Note Sisters 1973 - 1980" album is number 12 out of 21. On top of that, United Kingdom appears to be the country where this track was created. Why Did You Use Me is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Why Did You Use Me by Lillian Williams to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Welcome To The White House | Lillian Williams | E Minor | 3 | 9A | 102 BPM | ||
| Nothing Is Impossible | The Interns | A Major | 7 | 11B | 79 BPM | ||
| Herb Vendor | Leroy 'Horsemouth' Wallace | G Major | 6 | 9B | 146 BPM | ||
| Wipe Your Weeping Eyes | Justin Hinds & The Dominoes | E Minor | 5 | 9A | 131 BPM | ||
| Don't Mash Up Creation | Sharon Little | D Minor | 5 | 7A | 130 BPM | ||
| Run Babylon | Larry Marshall | E Minor | 7 | 9A | 117 BPM | ||
| We've Got a Good Thing Going | The Browne Bunch | D Major | 6 | 10B | 85 BPM | ||
| Enter the Kingdom of Zion | Barry Brown | D♭ Minor | 6 | 12A | 123 BPM | ||
| Rejoice Jah Jah Children | The Silvertones | A Major | 5 | 11B | 90 BPM | ||
| Sorry For The Man | Black Uhuru | F♯ Minor | 8 | 11A | 131 BPM | ||
| Dream Land | Della Humphrey | C Major | 4 | 8B | 148 BPM | ||
| Basement Session | Joe Morgan | B Minor | 5 | 10A | 131 BPM | ||
| Jah Created the World | Hortense Ellis | B Minor | 6 | 10A | 141 BPM | ||
| Feel Like Jumping | Marcia Griffiths | F Major | 5 | 7B | 139 BPM | ||
| Let Me Rock You Now | Love Joys | G Major | 7 | 9B | 137 BPM | ||
| Namibia | Liberation Group | A Minor | 6 | 8A | 143 BPM | ||
| M.J.'s Confessions | Lillian Williams | E Minor | 4 | 9A | 86 BPM | ||
| With One Accord | Lillian Williams | A♭ Major | 3 | 4B | 67 BPM | ||
| Peace & Unity | Sonya Spence | F Minor | 3 | 4A | 138 BPM | ||
| Funeral | Prince Alla | A Major | 7 | 11B | 125 BPM | ||
| Stumbling Block | Dillinger, Trinity | E Minor | 7 | 9A | 131 BPM | ||
| Ragga Muffin Style | Jah Stitch | F♯ Minor | 5 | 11A | 144 BPM | ||
| Hypnotizing Eyes | Keith & Tex | D Minor | 4 | 7A | 82 BPM | ||
| Shut Me Mouth | Ranking Dread | B Minor | 7 | 10A | 154 BPM | ||
| Undying Love | Ernest Wilson | G Major | 6 | 9B | 82 BPM |