Ida Emerson, Joan Morris, William Bolcom's ' "Hello, Ma Baby" was released on its scheduled release date, January 1, 1999. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Hello, Ma Baby's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joan Morris's "Moonlight Bay" album is number 3 out of 24. On top of that, United States appears to be the country where this track was created. Hello, Ma Baby is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Hello, Ma Baby by Ida Emerson, Joan Morris, William Bolcom to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Give Me Liberty or Give Me Love | Anson Weeks & His Orchestra | F Major | 4 | 7B | 211 BPM | ||
| Back Home Again in Indiana | The Cast | C Minor | 5 | 5A | 111 BPM | ||
| Twentieth Century Blues - 1999 Remaster | Noel Coward With The New Mayfair Orchestra | A♭ Major | 1 | 4B | 114 BPM | ||
| Saratoga Drag | Luis Russell, Albert Nicholas, Henry, J. C. Higginbotham, Charlie Holmes, George | G Minor | 5 | 6A | 202 BPM | ||
| Bandstand Boogie | Les Elgart | F Major | 6 | 7B | 109 BPM | ||
| Blue River (08-25-27) | Frankie Trumbauer | B♭ Major | 3 | 6B | 180 BPM | ||
| Carolina in the Morning | Van & Schenck | G Major | 3 | 9B | 100 BPM | ||
| La Cucaracha | Harry Roy and His Orchestra | A♭ Major | 5 | 4B | 94 BPM | ||
| There's a Wah Wah Girl in Agua Caliente | Isham Jones & His Orchestra | G Major | 2 | 9B | 102 BPM | ||
| Makin' Frien's | Eddie Condon's Feetwarmers | C Minor | 2 | 5A | 75 BPM | ||
| Broadway Rag | Bob Wilson & His Varsity Rhythm Boys | C Major | 6 | 8B | 111 BPM | ||
| Prosperity Rag | The Roaring Twenties | A♭ Major | 4 | 4B | 90 BPM | ||
| Johnson Rag | Jo Ann Castle | C Major | 3 | 8B | 157 BPM | ||
| Bus Stop | Giorgio Cuscito | C Major | 4 | 8B | 97 BPM | ||
| American Beauty Rag | Joseph F. Lamb, Morten Gunnar Larsen | E♭ Major | 1 | 5B | 182 BPM | ||
| He'd Have to Get Under - Get Out and Get Under | Maurice Abrahams, Anthony Godwin, Palm Court Theatre Orchestra | E♭ Major | 5 | 5B | 136 BPM | ||
| Twelfth Street Rag | Harry Roy Orchestra, Harry Roy | G Minor | 2 | 6A | 187 BPM | ||
| Meow Magic Toy | Dear Rabbit | F Major | 6 | 7B | 145 BPM | ||
| Purpleberry Krunch | Jim Bonney, Interleave, Juliette Jones | B♭ Major | 4 | 6B | 108 BPM | ||
| The Song Is Ended | Les Brown & His Orchestra | A♭ Major | 1 | 4B | 135 BPM | ||
| Sidewalk Blues | Jelly Roll Morton & His Red Hot Peppers | E♭ Major | 3 | 5B | 77 BPM | ||
| Cannon Ball Rag | Ben Bernie and His Hotel Roosevelt Orchestra | F Major | 4 | 7B | 106 BPM | ||
| Sunday Best | Franky ‘Fastfingers’ Flint | B♭ Major | 2 | 6B | 130 BPM | ||
| Arugula Leaf Rag (feat. Tom Brier) | Larisa Migachyov, Tom Brier | B♭ Major | 3 | 6B | 97 BPM | ||
| I`ve Got A Feeling I`m Falling | Jesse Crawford | F Minor | 3 | 4A | 175 BPM |