Craig Richey's ' "These Kids Are Worth Catching" was released on its scheduled release date, April 7, 2011. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 27 in A Marine Story: Motion Picture Soundtrack by Craig Richey. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. These Kids Are Worth Catching is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of These Kids Are Worth Catching by Craig Richey is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| End | Stephen Rennicks | E♭ Major | 0 | 5B | 73 BPM | ||
| Another Rain Bath Before Bed Crawling | Greater Alexander | B♭ Major | 1 | 6B | 73 BPM | ||
| Let's Just Get It Over With | Cornbread Compton | D♭ Minor | 0 | 12A | 124 BPM | ||
| Bellie and Bomman | Sven Faulconer | E♭ Major | 1 | 5B | 110 BPM | ||
| The Sunlit Night | Enis Rotthoff | B♭ Major | 2 | 6B | 120 BPM | ||
| Boys Theme / The Beach | John Debney | C Major | 2 | 8B | 112 BPM | ||
| Hunting | Alexis Grapsas, Philip Klein | D Major | 1 | 10B | 91 BPM | ||
| Ryan's Second Thoughts | Craig Richey | D Major | 0 | 10B | 108 BPM | ||
| The Ferry | Michael Andrews, Nosaj Thing | F♯ Minor | 2 | 11A | 143 BPM | ||
| Herschel Holds Court | Craig Richey | G Minor | 0 | 6A | 132 BPM | ||
| Good Mornings | Tom Howe | C Major | 4 | 8B | 151 BPM | ||
| The Reunion | Trevor Kowalski | A♭ Major | 1 | 4B | 138 BPM | ||
| Pretty Extraordinary Things | Kevin Smuts | B Minor | 0 | 10A | 93 BPM | ||
| Way Out West | Makana | G Major | 2 | 9B | 116 BPM | ||
| The French Lady | Daniel Pemberton | C Major | 4 | 8B | 89 BPM | ||
| A Gentle Invitation | Dawn, Dawn, Dawn | E Major | 1 | 12B | 100 BPM | ||
| I'd Choose Adam / First Date | John Debney | D Major | 0 | 10B | 132 BPM | ||
| The Obvious Unseen | Anton Sanko | A Minor | 0 | 8A | 60 BPM | ||
| Francois Expounds About Love | Craig Richey | B♭ Major | 0 | 6B | 108 BPM | ||
| Can People Change? | Joseph Trapanese, London Contemporary Orchestra, Tonality | C Major | 1 | 8B | 116 BPM | ||
| Anna Karenina | Daniel Hart | G Major | 2 | 9B | 86 BPM | ||
| Lizzie's Theme | Michael Andrews | G Major | 6 | 9B | 156 BPM | ||
| Electricity | Arthur Sharpe | F♯ Major | 2 | 2B | 87 BPM | ||
| The Beauty of Our Work | Sven Faulconer | C Minor | 2 | 5A | 115 BPM | ||
| Leaving the Farm | Marco Beltrami | E Major | 1 | 12B | 83 BPM |