Helena Hauff's 'Touching Plastic' had a release date set for November 1, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Touching Plastic only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Touching Plastic's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Touching Plastic by Helena Hauff having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Atavism | Batu | E Minor | 9 | 9A | 145 BPM | ||
| Glaze | Container | B♭ Major | 6 | 6B | 150 BPM | ||
| Temple | Len Faki | G Major | 8 | 9B | 132 BPM | ||
| The Phone Call | Red Axes | A Major | 7 | 11B | 120 BPM | ||
| Vixen for Society | Rhyw | B Major | 9 | 1B | 117 BPM | ||
| Futuros | The Exaltics, Helena Hauff | A Major | 8 | 11B | 142 BPM | ||
| N2020 | Ellen Allien | G Major | 8 | 9B | 145 BPM | ||
| The State Of That | Paranoid London | A♭ Major | 8 | 4B | 137 BPM | ||
| Mr Kinney | DeFeKT, Jensen Interceptor | F♯ Minor | 9 | 11A | 124 BPM | ||
| ZiGGY (DJ-Kicks) | HAAi | C Major | 9 | 8B | 140 BPM | ||
| Find Your Way Home | Octo Octa | A♭ Major | 6 | 4B | 124 BPM | ||
| Bad Apples | Objekt | C Major | 4 | 8B | 92 BPM | ||
| Años Perros | JASSS, Silent Servant | D Major | 9 | 10B | 133 BPM | ||
| Ready My Black Asz | Omar S | D♭ Major | 9 | 3B | 121 BPM | ||
| L'Homme Mort | Helena Hauff | C Major | 10 | 8B | 127 BPM | ||
| Liquorice Skritch | D. Tiffany, Roza Terenzi | D♭ Major | 6 | 3B | 116 BPM | ||
| grasshopper´s opinion | Vladimir Dubyshkin | B Major | 8 | 1B | 140 BPM | ||
| Blue Dub | Azu Tiwaline, Al Wootton | D♭ Major | 9 | 3B | 139 BPM | ||
| Entropy Created You And Me | Helena Hauff | C Minor | 3 | 5A | 112 BPM | ||
| Cricoid Pressure - Mixed | Rrose | E Minor | 9 | 9A | 127 BPM | ||
| Bombing With Imase | Jerome Hill | E Minor | 8 | 9A | 125 BPM | ||
| Black Dove | Leon Vynehall | D♭ Major | 8 | 3B | 130 BPM | ||
| Hyendo Dancehall | Modeselektor | A♭ Major | 9 | 4B | 103 BPM | ||
| Sworn to Secrecy Part II | Helena Hauff | B Minor | 7 | 10A | 120 BPM | ||
| Remnants of What Once Was | Surgeon | F♯ Major | 7 | 2B | 134 BPM |