"Spem in Alium and Her Unable" by Kyle Bobby Dunn had its release date on June 10, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kyle Bobby Dunn's "Kyle Bobby Dunn and the Infinite Sadness" album is number 13 out of 19. On top of that, United States appears to be the country where this track was created. Spem in Alium and Her Unable is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Spem in Alium and Her Unable by Kyle Bobby Dunn to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Somnia Vosemm | Blank Embrace | A♭ Minor | 4 | 1A | 87 BPM | ||
| Is Drop | Bing & Ruth | C Major | 1 | 8B | 73 BPM | ||
| Indigo Waves | Hirotaka Shirotsubaki | G Minor | 0 | 6A | 71 BPM | ||
| Infinite Ocean | zakè | A♭ Major | 1 | 4B | 67 BPM | ||
| Tsukamoto | Hirotaka Shirotsubaki | E Major | 1 | 12B | 72 BPM | ||
| Pine | Olan Mill | D Major | 0 | 10B | 84 BPM | ||
| I'm Just Going to Lay Down | Forest Management | A♭ Major | 0 | 4B | 80 BPM | ||
| Contemplation II | Blank Embrace | A♭ Minor | 2 | 1A | 67 BPM | ||
| Aubade | Hollie Kenniff | B Major | 3 | 1B | 128 BPM | ||
| Week 4 | Olan Mill | D Major | 0 | 10B | 69 BPM | ||
| Return | Christopher Willits | D Major | 1 | 10B | 85 BPM | ||
| Brief Moments in Long Term Doubt | willamette | E Major | 2 | 12B | 70 BPM | ||
| Nostalgia | Sachi Kobayashi | A Minor | 0 | 8A | 72 BPM | ||
| 5'0 | Wouter Veldhuis | D Major | 0 | 10B | 67 BPM | ||
| Eight | Nobuto Suda | D♭ Major | 1 | 3B | 70 BPM | ||
| Virga I (iii) | Eluvium | G Minor | 2 | 6A | 130 BPM | ||
| Ti Prego, Memory Man | A Winged Victory for the Sullen | D♭ Major | 1 | 3B | 74 BPM | ||
| Postponed Mindfulness | Olan Mill | D Major | 1 | 10B | 67 BPM | ||
| Ending of All Odds | Kyle Bobby Dunn | G Major | 1 | 9B | 80 BPM | ||
| 210 Surface | Hirotaka Shirotsubaki | B Major | 2 | 1B | 74 BPM | ||
| With the Changing of the Leaves | Poemme | A Major | 2 | 11B | 121 BPM | ||
| Sodium Lit | Adam Pacione | A♭ Major | 1 | 4B | 87 BPM | ||
| Stasis Sounds for Long-Distance Space Travel (Extended Hypersleep Program 4 - City at Night) | 36, zakè | G Major | 2 | 9B | 140 BPM | ||
| One | Nobuto Suda | F♯ Major | 1 | 2B | 75 BPM | ||
| Duckfaced Fantasy | Kyle Bobby Dunn | C Major | 1 | 8B | 144 BPM |