Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman, Young Adelaide Voices with Christie Anderson's ' "What Do You Do With An Idea?: A Place Where It's Safe To Dream" was released on its scheduled release date, January 9, 2024. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of What Do You Do With An Idea? by Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman. The song's track number on the album is #8 out of 10 tracks. In terms of popularity, What Do You Do With An Idea?: A Place Where It's Safe To Dream is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since What Do You Do With An Idea?: A Place Where It's Safe To Dream by Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman, Young Adelaide Voices with Christie Anderson has a tempo of 119 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With What Do You Do With An Idea?: A Place Where It's Safe To Dream being at 119 BPM, the half-time would be 60 BPM with a double-time of 238 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| H.M.S. Pinafore, Act I: A British Tar | Gilbert & Sullivan Society of Houston | F♯ Minor | 3 | 11A | 125 BPM | ||
| Hildegard, Act I: Scene 11: in this dirt, this soil (Hildegard) | Sarah Kirkland Snider, Nola Richardson, Kazem Abdullah | F Minor | 2 | 4A | 81 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 2 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | D♭ Major | 3 | 3B | 116 BPM | ||
| Guerra e pace (Film Music Suite): Andrea e Natascha | Nino Rota, WDR Funkhausorchester Köln, Felix Bender | D Major | 2 | 10B | 76 BPM | ||
| Peligros | Armonias | A Major | 6 | 11B | 120 BPM | ||
| Smetana: The Bartered Bride: Furiant | Bedřich Smetana, Sir Charles Mackerras, Philharmonia Orchestra | D Major | 3 | 10B | 91 BPM | ||
| Little Wonders | Veridia | G Major | 3 | 9B | 147 BPM | ||
| But Then I Realized (Instrumental) | Compendium Incorporated, Adelaide Symphony Orchestra, Paul Rissmann | F Major | 2 | 7B | 121 BPM | ||
| When the Whales Came | Christopher Gunning, Rumon Gamba, BBC Philharmonic, Nicole Tibbels, BBC Philharmonic Orchestra | G Major | 1 | 9B | 158 BPM | ||
| The Truth Lies In On The Lips Of Dead | Danke Timi Briggs | B♭ Major | 3 | 6B | 78 BPM | ||
| Childhood | Matt Milan | E Minor | 2 | 9A | 136 BPM | ||
| Elgar: 3 Bavarian Dances, Op. 27a: No. 2, Lullaby | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | D Major | 1 | 10B | 73 BPM | ||
| Boundless (Live) | Dan Forrest, Rivertree Singers Festival Chorus, Megan Stapleton, Troy Castle, Warren Cook | A Minor | 2 | 8A | 82 BPM | ||
| Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
| Peter and the Wolf, Op. 67: He Ran Home, Got a Strong Rope and Climbed up the High Stone Wall | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 2 | 8B | 130 BPM | ||
| The Sound of Freedom | Emily E. Finke | F Major | 4 | 7B | 112 BPM | ||
| String of Pearls | The Royal Wind Music | E♭ Minor | 0 | 2A | 96 BPM | ||
| Vaughan Williams: Songs of Travel: No. 9, I Have Trod the Upward and the Downward Slope (Version with Orchestra) | Ralph Vaughan Williams, Thomas Allen, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | D Major | 1 | 10B | 135 BPM | ||
| Tandem: II. Misterioso | Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson | E Minor | 1 | 9A | 93 BPM | ||
| Peter and the Wolf, Op. 67: IV. The Duck - Dialogue With the Birds - Attack of the Cat | Wiener Opernorchester | A♭ Major | 1 | 4B | 99 BPM | ||
| Stravinsky: Concerto for String Orchestra in D "Basle": I. Vivace | Igor Stravinsky, Sir Neville Marriner, Los Angeles Chamber Orchestra | B♭ Major | 3 | 6B | 96 BPM | ||
| crowd | maxflow | G Minor | 4 | 6A | 142 BPM | ||
| Dr. Merryheart: IX. The Dance Of Merryheart - Merryhearts Tanz | RTÉ National Symphony Orchestra, Havergal Brian | C Major | 3 | 8B | 104 BPM | ||
| Stan and Mabel: 21. Finale | Paul Rissmann, Young Adelaide Voices, Adelaide Symphony Orchestra, Benjamin Northey | D♭ Minor | 3 | 12A | 122 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM |