Markus James's ' "Sleepyhead" was released on its scheduled release date, September 30, 2014. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Markus James's "Head for the Hills" album is number 12 out of 16. On top of that, United States appears to be the country where this track was created. Based on our statistics, Sleepyhead's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sleepyhead by Markus James to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| King Clone | Lonesome Shack | D Major | 4 | 10B | 109 BPM | ||
| Overworked And Underpaid | Selwyn Birchwood | E Major | 5 | 12B | 98 BPM | ||
| Monday night | Valter Nilsson & The Hurt Feelings | A Major | 7 | 11B | 141 BPM | ||
| Tiny's Parlor Rag | Guy Verlinde | G Major | 4 | 9B | 100 BPM | ||
| Girl Done Gone | American Gun | B Minor | 5 | 10A | 127 BPM | ||
| Grown up Wrong | Mick Clarke | D Major | 7 | 10B | 131 BPM | ||
| Ain’t Nuthin’s Gonna Be Alright | Jimmy Vivino | E Minor | 8 | 9A | 108 BPM | ||
| I Won't Let It | Markus James | A♭ Minor | 4 | 1A | 107 BPM | ||
| Rained All Night | John Haydock | A Minor | 3 | 8A | 186 BPM | ||
| Anna Lee | Joe Flip | D Major | 9 | 10B | 109 BPM | ||
| Dangerous Blues | Luke Winslow-King | E Minor | 3 | 9A | 98 BPM | ||
| Plug It In | Mitch Grainger | G Major | 5 | 9B | 118 BPM | ||
| What Kind of World | Randy Resnick | F Major | 7 | 7B | 92 BPM | ||
| Devil And Angel | Halo Rider | B♭ Minor | 6 | 3A | 93 BPM | ||
| Love Me When I'm Dead | Hurricane James Blues Project | F Major | 6 | 7B | 168 BPM | ||
| Heartbreaker | Mick Clarke | B Minor | 9 | 10A | 138 BPM | ||
| Why'd She Have To Go (And Let Me Down)? | Moreland & Arbuckle | G Major | 4 | 9B | 130 BPM | ||
| Rob & Steal | Tony Holiday | E♭ Major | 5 | 5B | 101 BPM | ||
| LEAVE IT ALL BEHIND - FM2 | Stephen Youmoore | D Major | 3 | 10B | 176 BPM | ||
| Liars And Killers | Michael Waters | B♭ Major | 5 | 6B | 75 BPM | ||
| Down Home Blues | Bryce Janey | F♯ Major | 7 | 2B | 165 BPM | ||
| The Last Drop | Matt Walker, The Fat Rubber Band, Tex Perkins | E Major | 5 | 12B | 166 BPM | ||
| Too Good to Be True | Amann & The Wayward Sons | D♭ Major | 8 | 3B | 126 BPM | ||
| Candyland Refugee | Markus James | G Minor | 4 | 6A | 115 BPM | ||
| Take Me To The Lord | NEW OLD BLUES, Daylight Rapture | G Minor | 3 | 6A | 82 BPM |