- BPM
- 72
- Key
- A Minor
- Camelot
- 8A
Adela by Joaquín Rodrigo, Mayte Martin, Katia Labèque, Marielle Labèque Song Details
"Adela" by Joaquín Rodrigo, Mayte Martin, Katia Labèque, Marielle Labèque had its release date on September 11, 2008. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Adela's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 14 in De Fuego y de Agua by Mayte Martin, Katia Labèque, Marielle Labèque. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Adela is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of Adela by Joaquín Rodrigo, Mayte Martin, Katia Labèque, Marielle Labèque is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -12.853 dB
- Acousticness
- 97%
- Danceability
- 42%
- Energy
- 22%
- Instrumentalness
- 2%
- Liveness
- 18%
- Loudness
- 79%
- Speechiness
- 5%
- Valence
- 17%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Comptine d'un autre été, l'après-midi (Arr. Lefvert for Guitar) | Alexandra Whittingham | D Major | 1 | 10B | 96 BPM | |
 | Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 106 BPM | |
 | Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM | |
 | Variations sur “Jeux interdits” | Alexandre Lagoya, Orchestre De La Camerata De France, Daniel Tosi | E Major | 2 | 12B | 123 BPM | |
 | Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 74 BPM | |
 | Hier encore (Arr. for Cello and Orchestra by Mathieu Herzog) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | D Minor | 1 | 7A | 100 BPM | |
 | Concerto en ré mineur, bwv974 - Adagio (d'après Marcello) | Élise Robineau | D Minor | 0 | 7A | 83 BPM | |
 | Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | |
![Concierto de Aranjuez: II. Adagio [Excerpt] by Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe](https://i.scdn.co/image/ab67616d00001e022927579fb3cae403dc6d1f75) | Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | |
 | Suite, Castellana: II "Arada" | Federico Moreno Torroba, Alexander-Sergei Ramírez | D Minor | 0 | 7A | 94 BPM | |
 | Czardas | Caroline Campbell | D Major | 3 | 10B | 159 BPM | |
 | Mademoiselle de Paris (Arr. Goss for Guitar & String Ensemble) | Paul Durand, Alexandra Whittingham, Carducci String Quartet, Thea Sayer | D Major | 3 | 10B | 180 BPM | |
 | Concierto Andaluz for 4 Guitars and Orchestra: 1. Tiempo de Bolero | Joaquín Rodrigo, Los Romeros, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 4 | 11B | 144 BPM | |
 | Rodrigo's Guitar Concerto De Aranjuez - Theme from 2nd Movement | Manuel & The Music Of The Mountains | B Minor | 2 | 10A | 71 BPM | |
 | Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM | |
 | De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: IV. Sarabande | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 136 BPM | |
 | Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | |
 | Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 175 BPM | |
 | Concerto for Clarinet and Orchestra No. 3 in F Major "Il Mezzetino": III. Andante | Antonio Vivaldi, Martin Fröst, Concerto Köln | D Major | 2 | 10B | 142 BPM | |
 | Waltz No. 19 in A Minor, KK IVb (Arr. for Cello and Piano by C. Thomas) | Frédéric Chopin, Camille Thomas, Julien Brocal | A Minor | 1 | 8A | 78 BPM | |
 | Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | |
 | Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | |
 | Méditation from Thaïs | Jules Massenet, Nicola Benedetti, London Symphony Orchestra, Daniel Harding | E Minor | 1 | 9A | 89 BPM | |
 | Cavatina (The Dear Hunter) | Lars Hannibal | E Major | 0 | 12B | 88 BPM | |
 | Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM |
- ISRC
- ITP900800031
- Label
- L-M Records/RCA Records