George "Pops" Foster, Art Hodes's ' "Dialogue #4" was released on its scheduled release date, 1999. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Dialogue #4's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George "Pops" Foster's "George "Pops" Foster with Art Hodes" album is number 8 out of 16. Dialogue #4 is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Dialogue #4 by George "Pops" Foster, Art Hodes to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nothing But Time | Sherbourne Rivers | C Major | 1 | 8B | 97 BPM | ||
| Monochrome Reverie | Crying Mirror | E♭ Major | 3 | 5B | 73 BPM | ||
| I Know That You Know | Milt Hinton | C Major | 1 | 8B | 140 BPM | ||
| That's a Plenty / Closing Theme | Sidney Bechet, Johnny Windhursh, Ray Parker, George "Pops" Foster, George Thompson | D Minor | 7 | 7A | 125 BPM | ||
| Blues to Be There | Duke Ellington & His Orchestra | F Major | 4 | 7B | 124 BPM | ||
| Atrium Lisbon | BitSwing | C Minor | 1 | 5A | 94 BPM | ||
| Tea for Two | Peter Bocage, Sidney Bechet, Ray Parker, George Thompson, George "Pops" Foster | F Minor | 6 | 4A | 177 BPM | ||
| Mild Dissonance | Moonphone | G Major | 2 | 9B | 120 BPM | ||
| Tiempo lento | Kaelux | F Major | 4 | 7B | 124 BPM | ||
| Ashes | Varnish Ritual | C Major | 1 | 8B | 84 BPM | ||
| Ginger Night | Ella Mercer | G Major | 0 | 9B | 94 BPM | ||
| I Can't Believe That You're in Love with Me | Sidney Bechet, Johnny Windhursh, Ray Parker, George "Pops" Foster, George Thompson | F Minor | 7 | 4A | 111 BPM | ||
| Bitter End of Whiskey | Smoky Avenue | A Minor | 1 | 8A | 80 BPM | ||
| Love For Sale | Art Tatum, Ben Webster, Red Callender, Bill Douglass | F Minor | 1 | 4A | 113 BPM | ||
| Royal Gardens Blues | Count Basie Trio | F♯ Major | 3 | 2B | 92 BPM | ||
| I Don't Care | Junior Mance | D♭ Major | 1 | 3B | 129 BPM | ||
| New Soul Race, Pt. IV | Mallum Bat | C Minor | 2 | 5A | 88 BPM | ||
| Dialogue #3 | George "Pops" Foster, Art Hodes | F♯ Major | 2 | 2B | 0 BPM | ||
| I'm Beginning to See the Light | Phineas Newborn Jr. | A♭ Major | 3 | 4B | 150 BPM | ||
| Cynthia’s In Love | Guy Lafitte | E Minor | 1 | 9A | 110 BPM | ||
| Easy On The Ear | Twobones, Isla Eckinger | F Minor | 5 | 4A | 133 BPM | ||
| Your Soft Return | Backline Jazz Band | F Major | 4 | 7B | 124 BPM | ||
| Dust on the Melody | The Jazzest | E♭ Major | 1 | 5B | 94 BPM | ||
| Masento | Blue Rectangles | B Minor | 0 | 10A | 84 BPM | ||
| My Ideal / I'm Confessin' | Sidney Bechet, Johnny Windhursh, Ray Parker, George "Pops" Foster, George Thompson | F Minor | 5 | 4A | 134 BPM |