Michael Dunstan's 'Behind The Waterfall (Instrumental)' had a release date set for November 3, 2022. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Michael Dunstan's "Impermanence (Instrumentals)" album is number 8 out of 11. On top of that, Australia appears to be the country where this track was created. Based on our statistics, Behind The Waterfall (Instrumental)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Behind The Waterfall (Instrumental) by Michael Dunstan to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Motorbike Song | James Kenyon | G Major | 3 | 9B | 154 BPM | ||
| End In The Cold | June Amiss | C Major | 3 | 8B | 182 BPM | ||
| That's Alright | Jack Willis | A Major | 9 | 11B | 165 BPM | ||
| Hold. | Adam-James | B Minor | 6 | 10A | 76 BPM | ||
| Skinny Legs | Luke Morris | A Minor | 5 | 8A | 137 BPM | ||
| I Was Somewhere Else | Luke Morris | A Minor | 5 | 8A | 137 BPM | ||
| The Future of an End - Acoustic | Woodlock | F♯ Major | 6 | 2B | 110 BPM | ||
| Summer | Joel Leggett | A♭ Major | 5 | 4B | 109 BPM | ||
| Walking On The Winds | Israel Cannan | D Major | 5 | 10B | 125 BPM | ||
| Lay Everything On Me | Luke Morris | E♭ Major | 2 | 5B | 109 BPM | ||
| Class A Girl | Kyle Lionhart | F♯ Major | 2 | 2B | 109 BPM | ||
| One Mississippi | Toby Johnson | F♯ Major | 4 | 2B | 128 BPM | ||
| Follow Me | The Band Willa | F♯ Major | 2 | 2B | 100 BPM | ||
| My Perfect Sunday | Winterbourne | A Major | 7 | 11B | 132 BPM | ||
| The Quieter You Are, The More You Hear | Michael Dunstan | C Major | 4 | 8B | 128 BPM | ||
| In a Summer or Two | Pacific K, Luna Keller | E Major | 4 | 12B | 130 BPM | ||
| Five. | Charlie Delahunty | G Minor | 2 | 6A | 88 BPM | ||
| Blood Rush - Acoustic | Tay Oskee, Tia Gostelow | C Minor | 6 | 5A | 116 BPM | ||
| Where Was I | Anna Stanton | A Major | 3 | 11B | 104 BPM | ||
| Holding onto Something | James Ollier | D Major | 6 | 10B | 109 BPM | ||
| Vegemite Sandwich | Jack Davies and The Bush Chooks | B Major | 3 | 1B | 126 BPM | ||
| When Time Is on Our Side | Tom Harrington | D Major | 4 | 10B | 113 BPM | ||
| All Gived Up | Alae | B Minor | 4 | 10A | 121 BPM | ||
| Musty Tees | Angus Kaftan | B Minor | 5 | 10A | 135 BPM | ||
| '98 Toyota | Hein Cooper | D Major | 3 | 10B | 160 BPM |