Raghunath Manet's ' "Tillânâ" was released on its scheduled release date, 1997. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Pondichéry". In this album, this song's track order is #8. Furthermore, we believe that the track originated from France. Based on our statistics, Tillânâ's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tillânâ by Raghunath Manet having a BPM of 155 with a half-time of 78 BPM and a double-time of 310 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Janani Ninnuvina | M.S. Gopalakrishnan | F♯ Minor | 4 | 11A | 160 BPM | ||
| Rāga: Pūrvikalyāṇi / Ālāpana | Ranganayaki Rajagopalan | G Minor | 1 | 6A | 99 BPM | ||
| Lakshmee Raave Maa Intiki | Sangita Kalanidhi Dr R Vedavalli | B Minor | 7 | 10A | 80 BPM | ||
| Alai Payude | N. Ramani | A♭ Major | 4 | 4B | 155 BPM | ||
| Vrindavanave Mandiravagihe | Roopa Shree H S | A♭ Major | 3 | 4B | 159 BPM | ||
| Raghuvamsa Sudha | Sikkil Gurucharan | D♭ Major | 8 | 3B | 100 BPM | ||
| Dance of Jati | Raghunath Manet | D Major | 10 | 10B | 130 BPM | ||
| Nannu Palimpa (Ragam) | Lalgudi G. Jayaraman | F Minor | 1 | 4A | 111 BPM | ||
| Pahi Gajanana Deenavana | Sri Sathya Sai Bhajans | F Major | 8 | 7B | 134 BPM | ||
| Azhi Mazhai | Aruna Sairam | C Major | 4 | 8B | 101 BPM | ||
| Sri Shanmuga Shatakam | Anuradha Krishnamurthy | D Major | 7 | 10B | 120 BPM | ||
| Drut Gat In Teentaal-16 Beat Cycle | Shivkumar Sharma | D Major | 5 | 10B | 99 BPM | ||
| Anga Lingavendu | Juned Shabbir Dange, Praveen Kadapatti, Akash Managuli | B Minor | 9 | 10A | 76 BPM | ||
| HOLOS LASTING | Aldo Brizzi, Raghunath Manet | F Minor | 1 | 4A | 73 BPM | ||
| Ram Ratan Dhan Payo | B. V. Balasai | D Major | 6 | 10B | 170 BPM | ||
| Raga Mishra Khamal: Thumri in Teentaal | Ram Narayan, Dilshad Khan, Anita Narayan | E Major | 3 | 12B | 147 BPM | ||
| Bala Kanaka Maya | Sangeetha Sivakumar | E♭ Major | 4 | 5B | 163 BPM | ||
| Maha Ganapathim - Mandolin | U. Srinivas | F Minor | 9 | 4A | 101 BPM | ||
| Ambala (India) 1987 - Tintal | Zakir Hussain & Sultan Khan | B Minor | 8 | 10A | 160 BPM | ||
| Ramasami Doothan (2023) [Live] | Sanjay Subrahmanyan | G Major | 7 | 9B | 168 BPM | ||
| Vatapi Ganapathim | Aruna Sairam, Vigneshwar Kalyanaraman | G Major | 4 | 9B | 204 BPM | ||
| Jagadhodhaarana - Nadhaswaram | Jayashankar, Valayappatti A. R. Subramaniam | E♭ Major | 6 | 5B | 103 BPM | ||
| Neelambari - Neelambari - Mishra Chapu | Alex Lee-Clark, IndianRaga, Karthik Ramasubramanian, Sindhu Shashikanth, Vinod Krishnan | A♭ Major | 9 | 4B | 114 BPM | ||
| Nilambari - Nilambari - Adi | Lalgudi G. Jayaraman | A♭ Major | 7 | 4B | 143 BPM | ||
| Deshi | Shruti Sadolikar | A♭ Major | 4 | 4B | 102 BPM |