"A Life Worth Dying For" by Samuel Karl Bohn, George Booth, J.D. APRILS, Rob Cass had its release date on July 7, 2025. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Swan Song - Cinematic Vocal Ballads". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, A Life Worth Dying For's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With A Life Worth Dying For by Samuel Karl Bohn, George Booth, J.D. APRILS, Rob Cass having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Triumph | Remo Anzovino, Anselmo Pelliccioni, Federico Mecozzi, Massimo Mondaini | C Major | 6 | 8B | 180 BPM | ||
| Crown | Tom De Gold | G Minor | 5 | 6A | 176 BPM | ||
| Resilience | Mattia Turzo | D♭ Major | 7 | 3B | 130 BPM | ||
| Lights That Flicker | Tonal Chaos Trailer Music | A Minor | 6 | 8A | 166 BPM | ||
| Closure | Brianna Tam | D Minor | 3 | 7A | 100 BPM | ||
| Strings Theory | Gabriel Saban | C Minor | 8 | 5A | 116 BPM | ||
| Innerbloom | Infraction Music | B♭ Minor | 4 | 3A | 100 BPM | ||
| Prelude for Strings | Rafael Krux | G Minor | 6 | 6A | 150 BPM | ||
| Genius | Luke Richards | F Minor | 3 | 4A | 129 BPM | ||
| Another Round | Ziv Moran, Oren Tsor | A Minor | 7 | 8A | 90 BPM | ||
| Multiple Verita | Andrea Guerra | A♭ Major | 3 | 4B | 110 BPM | ||
| Besiege | Michael H Lee, Ghostwriter | D♭ Minor | 3 | 12A | 105 BPM | ||
| Virtuosity | Howard Harper-Barnes | A Minor | 4 | 8A | 170 BPM | ||
| Heed | Frederic Sans | A Minor | 4 | 8A | 135 BPM | ||
| Maintenant ça suffit | Anne Sophie Versnaeyen | C Minor | 1 | 5A | 130 BPM | ||
| Anamnesis | Marina Ortega Mira | A Minor | 2 | 8A | 110 BPM | ||
| The Path of Silence | Anne Sophie Versnaeyen, Gabriel Saban, Philippe Briand | C Minor | 4 | 5A | 92 BPM | ||
| Labyrinthe | Mathieu Lamboley | E♭ Major | 6 | 5B | 120 BPM | ||
| You Moved! | David Hirschfelder | B♭ Major | 2 | 6B | 92 BPM | ||
| Tides | Daria Novo | F♯ Major | 7 | 2B | 119 BPM | ||
| Dissidence | Ros Stephen | D♭ Major | 9 | 3B | 152 BPM | ||
| Bioluminescence | Brianna Tam | D Major | 4 | 10B | 156 BPM | ||
| Riding At Dawn | Luke Richards | D Major | 4 | 10B | 90 BPM | ||
| Women in Power | Gabriel Saban, Philippe Briand | E Minor | 6 | 9A | 96 BPM | ||
| Prologue: Way of Legends | Paul Dinletir, Merethe Soltvedt | G Major | 2 | 9B | 172 BPM |