"He Looked Beyond My Fault (Danny Boy)" by Wycliffe Gordon, Eric Scott Reed had its release date on 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of We by Wycliffe Gordon, Eric Reed. The song's track number on the album is #9 out of 10 tracks. Based on our data, Germany was the country where this track was produced or recorded. He Looked Beyond My Fault (Danny Boy) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since He Looked Beyond My Fault (Danny Boy) by Wycliffe Gordon, Eric Scott Reed has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With He Looked Beyond My Fault (Danny Boy) being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 23 Red - Live at Basin Street West, San Francisco - June 1965 | Woody Herman | G Major | 4 | 9B | 127 BPM | ||
| Things Left Unsaid | The Hornheads | A♭ Major | 5 | 4B | 124 BPM | ||
| Malagueña (Arr. B. Holman & L. Harrelson for Wind Ensemble) [Live] | Ernesto Lecuona, Ryan Anthony, Wycliffe Gordon, Fountain City Brass Band, Joseph Parisi | G Minor | 3 | 6A | 174 BPM | ||
| Emancipation Blues | Oliver Nelson Orchestra | G Major | 5 | 9B | 115 BPM | ||
| Mr. Gollywogg (D’après Gollywogg’s Cake-Walk de Claude Debussy) | Enrico Pieranunzi, André Ceccarelli, Diego Imbert | C Major | 6 | 8B | 138 BPM | ||
| Hunting Wabbits | Gordon Goodwin's Big Phat Band | F Minor | 5 | 4A | 158 BPM | ||
| Chiclete com Banana | The Hornheads | E Major | 7 | 12B | 168 BPM | ||
| Gravy Waltz | Marc Hemmeler | G Major | 4 | 9B | 126 BPM | ||
| Mischief | Joshua Redman Quartet | G Minor | 2 | 6A | 81 BPM | ||
| Scrapple From The Apple | Blue Mitchell | D Major | 4 | 10B | 129 BPM | ||
| Gee Baby, Ain't I Good to You | Byron Stripling, Wycliffe Gordon, Frank Wess, Bill Charlap | D♭ Major | 4 | 3B | 102 BPM | ||
| November 15 | Kenny Garrett | B♭ Minor | 5 | 3A | 81 BPM | ||
| Goodbye Yellow Brick Road | Mark Taylor, The Big Band | A♭ Major | 5 | 4B | 91 BPM | ||
| Caravan | John La Barbera Big Band | C Major | 6 | 8B | 126 BPM | ||
| Ya Gotta Try | Steve Smith | C Major | 8 | 8B | 144 BPM | ||
| Laura | Rob Parton's Jazztech Big Band | A♭ Minor | 5 | 1A | 145 BPM | ||
| Barnburner | Les Hooper Band | F Minor | 7 | 4A | 119 BPM | ||
| Duke Ellington's Sound of Love | Mingus Big Band | D♭ Major | 3 | 3B | 61 BPM | ||
| Repeal and Replace | Elliot Deutsch | A Minor | 7 | 8A | 94 BPM | ||
| It Could Happen To You | US Air Force Airmen Of Note, Vaughn Nark | E♭ Major | 2 | 5B | 131 BPM | ||
| Sing a Song of Song | Kenny Garrett | F♯ Minor | 6 | 11A | 108 BPM | ||
| Swing 'A'Ling'Ding | Peter Herbolzheimer Orchestra | B♭ Minor | 3 | 3A | 118 BPM | ||
| I Can't Get Started | Wycliffe Gordon | C Major | 2 | 8B | 82 BPM | ||
| Tip Toe | Thad Jones | F Minor | 3 | 4A | 175 BPM | ||
| Harry-Fricken-Potter | Mikey Votano Big Band, Dave Weckl | G Minor | 8 | 6A | 110 BPM |