Stephen Rippy's 'Come and Gone' had a release date set for March 14, 2006. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Stephen Rippy's "Memory Device" album is number 4 out of 11. On top of that, United States appears to be the country where this track was created. Come and Gone is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Come and Gone by Stephen Rippy to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| To The End Of The Galaxy (From Stellaris Original Game Soundtrack) - Additional Take | Andreas Waldetoft | C Minor | 3 | 5A | 90 BPM | ||
| Error 0xbfaf000 (Glitch Theme) | Curtis Schweitzer | D♭ Minor | 3 | 12A | 99 BPM | ||
| The Second Dream | Keith Power | D Minor | 2 | 7A | 75 BPM | ||
| Vision of a Lasting Flame - Piano and Orchestra | Martin O'Donnell | B♭ Minor | 1 | 3A | 85 BPM | ||
| Runion | Stephen Rippy, Kevin McMullan | G Major | 6 | 9B | 75 BPM | ||
| New Worlds | Jack Wall | F Major | 2 | 7B | 120 BPM | ||
| The Imperial Fleet | Andreas Waldetoft | E Minor | 5 | 9A | 95 BPM | ||
| Call of Duty, Modern Warfare 2: Theme | Hans Zimmer, Andrew Skeet, London Philharmonic Orchestra | D Minor | 4 | 7A | 156 BPM | ||
| Roads Ahead | Metro Exodus, Alexey Omelchuk | B Minor | 3 | 10A | 161 BPM | ||
| A Hot Meal | Stephen Rippy, Kevin McMullan | D Major | 3 | 10B | 88 BPM | ||
| The Fall of Reach | Halo, Tom Salta | B♭ Major | 1 | 6B | 74 BPM | ||
| Tide Me Over, Warm 'em Ups | Todd Masten, Semitone Media Group | B Minor | 4 | 10A | 89 BPM | ||
| On the Edge Theme | Piotr Musiał | C Minor | 4 | 5A | 82 BPM | ||
| Whole Other Everything | Stephen Rippy | A Minor | 4 | 8A | 100 BPM | ||
| Idle Browsing | Paradox Interactive | B Major | 7 | 1B | 90 BPM | ||
| What Makes Us Human | Halo, Curtis Schweitzer | F Major | 6 | 7B | 102 BPM | ||
| Return of the Omen | Steve Jablonsky, Gears of War | B Minor | 8 | 10A | 92 BPM | ||
| Caravans Crossing | Jamie Christopherson | F♯ Minor | 4 | 11A | 176 BPM | ||
| Ode to Liberty | Wilbert Roget, II | B♭ Major | 5 | 6B | 108 BPM | ||
| Virus | Sean Murray | D Major | 6 | 10B | 170 BPM | ||
| Punishment | Halo, Paul Lipson, Lennie Moore, Tom Salta, Brian Trifon, Brian Lee White | B♭ Minor | 1 | 3A | 84 BPM | ||
| Kingdom Rush Original Map | Hyperduck Soundworks | F Minor | 3 | 4A | 130 BPM | ||
| Scruffy and Underfed | Stephen Rippy, Kevin McMullan | E Minor | 1 | 9A | 60 BPM | ||
| Armored Prayer | Steve Jablonsky, Gears of War | E Minor | 6 | 9A | 175 BPM | ||
| Lotro Legacy | Chance Thomas | G Minor | 4 | 6A | 79 BPM |