"Upload: Scene 5-2" by Michel van der Aa, Dutch National Opera, Ensemble Musikfabrik, Julia Bullock, Otto Tausk, Roderick Williams had its release date on January 8, 2023. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Michel van der Aa, Julia Bullock, Roderick Williams, Ensemble Musikfabrik, Otto Tausk, Dutch National Opera's "Michel van der Aa: Upload" album is number 6 out of 11. On top of that, Netherlands appears to be the country where this track was created. Upload: Scene 5-2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Upload: Scene 5-2 by Michel van der Aa, Dutch National Opera, Ensemble Musikfabrik, Julia Bullock, Otto Tausk, Roderick Williams to be Lento (slowly) because the track has a tempo of 59 BPM, a half-time of 30BPM, and a double-time of 118 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Valencia | Caroline Shaw, Attacca Quartet | F Major | 1 | 7B | 137 BPM | ||
| Insight | Dobrinka Tabakova, Maxim Rysanov, Roman Mints, Kristine Blaumane | D Minor | 1 | 7A | 86 BPM | ||
| DANCE: IV. in your blood | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | C Major | 3 | 8B | 68 BPM | ||
| Immortal Bach | Knut Nystedt, Schola Cantorum, Kåre Hanken | E♭ Major | 0 | 5B | 127 BPM | ||
| Materna Requiem: 2. Kyrie | Rebecca Dale, Louise Alder, Jonathan Aasgaard, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | B Minor | 0 | 10A | 121 BPM | ||
| Now Found Is The Fairest Of Roses (Arr. For String Quartet) | Traditional, Danish String Quartet | G Major | 0 | 9B | 96 BPM | ||
| The Aleph | Michel van der Aa, Kate Miller-Heidke | B♭ Major | 4 | 6B | 129 BPM | ||
| Einstein on the Beach: Knee Play 2 | Philip Glass, Michael Riesman | C Major | 3 | 8B | 115 BPM | ||
| Riessler: Family Affair | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Symphony No. 4 "Los Angeles": I. Con sublimità – Marcando con maestà – Pacato | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | D♭ Major | 5 | 3B | 170 BPM | ||
| String Quartet No. 4, 3rd Movement | Béla Bartók, vision string quartet | A Minor | 5 | 8A | 180 BPM | ||
| For the Time Being: I. Inside Someone Else's Head | Michel van der Aa, Rick Stotijn, Rosanne Philippens | D Minor | 4 | 7A | 119 BPM | ||
| Suite No. 4 in E Minor: Prelude X.XVII | Monsieur de Sainte-Colombe, Christian-Pierre La Marca | E♭ Minor | 1 | 2A | 123 BPM | ||
| Limestone & Felt | Caroline Shaw, Attacca Quartet | D Major | 0 | 10B | 147 BPM | ||
| Akhnaten: Act III, Scene 3: The Ruins | Philip Glass, Dennis Russell Davies, David Warrilow, Stuttgart State Opera Orchestra, Chor der Staatsoper Stuttgart | F Major | 2 | 7B | 80 BPM | ||
| Abstractions and Illusions | Steven Gutheinz | A Minor | 5 | 8A | 180 BPM | ||
| When they saw the Star | Chloe May Evans, Ǣfendrēama | E♭ Major | 3 | 5B | 137 BPM | ||
| The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava, Vestards Šimkus | E Minor | 0 | 9A | 56 BPM | ||
| DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
| Golden Brown | Estoria | A Minor | 5 | 8A | 180 BPM | ||
| A Lion´s Sleep | Ivan Moody, Trio Mediæval | G Major | 0 | 9B | 97 BPM | ||
| I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
| Fratres (Version for Wind Octet & Percussion) | Arvo Pärt, Joris Van Den Hauwe, Jan Maebe, Geert Baeckelandt, Lydia Rossignol, Francis Pollet, Bart Snauwaert, Martin Van Der Merwe, Jos Buurman, Huub Righarts | A♭ Major | 2 | 4B | 78 BPM | ||
| Intensive Time | Philip Glass, Yo-Yo Ma, Philip Glass Ensemble, Michael Riesman | B♭ Major | 1 | 6B | 100 BPM | ||
| Void Pulse | Astrid Voix | A Minor | 5 | 8A | 180 BPM |