"Lamentations Ieremiae Prophetae: Dabit percutienti" by Alonso Lobo, Tenebrae, Nigel Short had its release date on March 28, 2011. With This song being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Victoria: Requiem Mass, 1605 by Tenebrae, Nigel Short. The song's track number on the album is #31 out of 32 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Lamentations Ieremiae Prophetae: Dabit percutienti is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lamentations Ieremiae Prophetae: Dabit percutienti by Alonso Lobo, Tenebrae, Nigel Short has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lamentations Ieremiae Prophetae: Dabit percutienti being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| Motets: Alma redemptoris mater | Guillaume Dufay, Pomerium, Alexander Blachly | C Major | 1 | 8B | 74 BPM | ||
| Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | ||
| The Spheres | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | D♭ Minor | 0 | 12A | 131 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Beatus vir | Levente Gyöngyösi, Pro Musica, Szabó Dénes | C Major | 1 | 8B | 106 BPM | ||
| Miserere: IV. Redde mihi laetitiam | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 174 BPM | ||
| Lagrime di San Pietro: I. Il magnanimo Pietro | Orlande de Lassus, Gallicantus, Gabriel Crouch | A Minor | 1 | 8A | 72 BPM | ||
| In monte oliveti | Orlande de Lassus, Stile Antico | C Minor | 0 | 5A | 138 BPM | ||
| Isorhythmic Motets: Ecclesie militantis - Sanctorium arbitrio - Bella canunt gentes | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 2 | 7A | 82 BPM | ||
| Holy Spirit Mass: Creator Spirit | Kim André Arnesen, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Major | 0 | 7B | 64 BPM | ||
| Gutiérrez de Padilla: Versa est in luctum | Juan Gutiérrez de Padilla, Chanticleer | A♭ Major | 0 | 4B | 78 BPM | ||
| Now Is the gentle season | Thomas Morley, Joculatores Upsalienses | F Major | 0 | 7B | 75 BPM | ||
| Regina Caeli Laetare | Musica Reservata de Barcelona, Alonso Lobo | B Major | 1 | 1B | 80 BPM | ||
| Requiem canticorum: Lux aeterna | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 0 | 7B | 172 BPM | ||
| Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
| Vidimus Stellam: II. Rorate Caeli | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | A Major | 1 | 11B | 74 BPM | ||
| Requiem Mass, 1605: Lesson: Taedet anima mea | Tomás Luis de Victoria, Tenebrae, Nigel Short | B Minor | 1 | 10A | 133 BPM | ||
| Liturgical Chants: O Holy God | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 0 | 3B | 179 BPM | ||
| Missa Myn hert: Kyrie | Mathieu Gascongne, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 68 BPM | ||
| Miserere - Psalm 51 | Gregorio Allegri, Daniel Taylor, The Trinity Choir | B Major | 0 | 1B | 81 BPM | ||
| Nunc dimittis, from Short Evening Service | Orlando Gibbons | A Major | 1 | 11B | 133 BPM | ||
| Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 171 BPM | ||
| Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 71 BPM | ||
| Missa Gloria tibi Trinitas: Sanctus | John Taverner, Christ Church Cathedral Choir, Oxford, Stephen Darlington | D Minor | 2 | 7A | 71 BPM |