"12 Etudes d'execution transcendante, S139/R2b: No. 9 in A-Flat Major, "Ricordanza"" by Franz Liszt, Jenő Jandó had its release date on June 16, 1997. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Liszt's "Liszt: 12 Etudes D'Execution Transcendante, S139/R2B" album is number 9 out of 12. On top of that, Hong Kong appears to be the country where this track was created. 12 Etudes d'execution transcendante, S139/R2b: No. 9 in A-Flat Major, "Ricordanza" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 12 Etudes d'execution transcendante, S139/R2b: No. 9 in A-Flat Major, "Ricordanza" by Franz Liszt, Jenő Jandó to be Lento (slowly) because the track has a tempo of 56 BPM, a half-time of 28BPM, and a double-time of 112 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturne in E-Flat Major | Mikhail Glinka, Victor Ryabchikov | E♭ Major | 0 | 5B | 70 BPM | ||
| Consolations, S. 172: No. 5 in E Major. Andantino | Franz Liszt, Daniel Barenboim | E Major | 0 | 12B | 81 BPM | ||
| 5 Pieces, Op. 75, "The Trees": No. 5 Granen (The Spruce) | Jean Sibelius, Håvard Gimse | D Major | 0 | 10B | 68 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Capriccio in F-Sharp Minor, Op. 76, No. 1 | Johannes Brahms, Arcadi Volodos | D♭ Major | 1 | 3B | 69 BPM | ||
| Rondo in A Minor, K. 511 | Wolfgang Amadeus Mozart, Seong-Jin Cho | D Minor | 1 | 7A | 130 BPM | ||
| Liebestraum No.2 in E Flat Major, S.541 No.2 - nach einem Gedicht von Ludwig Uhland: Notturno II: Seliger Tod | Franz Liszt, Daniel Barenboim | E Major | 0 | 12B | 136 BPM | ||
| Orfeo ed Euridice, Wq. 30: Melodie dell'Orfeo (Arr. Sgambati for Piano) | Yuja Wang | D♭ Minor | 1 | 12A | 80 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 113 BPM | ||
| 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
| II. Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B Minor | 0 | 10A | 71 BPM | ||
| Valse Fantaisie, Op. 49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
| Nocturnes n°7 en mi majeur | Francis Poulenc, Alexandre Tharaud | E♭ Major | 1 | 5B | 87 BPM | ||
| Polovtsian Dances from Prince Igor (piano arr. by L. Faulkner) | Luke Faulkner, Alexander Borodin | A Major | 1 | 11B | 72 BPM | ||
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Paul Lewis | D♭ Minor | 0 | 12A | 172 BPM | ||
| Andante festivo, JS 34b (Version for String Orchestra & Timpani) | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 2 | 9B | 57 BPM | ||
| Miroirs, M. 43: III. Une barque sur l'océan | Maurice Ravel, Seong-Jin Cho | E Major | 2 | 12B | 142 BPM | ||
| Träumerei | Robert Schumann, Vladimir Horowitz | A♭ Major | 1 | 4B | 128 BPM | ||
| 4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
| Ivan Sings "Andantino" | Aram Khachaturian, Christopher Ferreira | A♭ Major | 0 | 4B | 74 BPM | ||
| Deux Arabesques, L. 66, CD 74: I. Première Arabesque | Claude Debussy, Jean-Efflam Bavouzet | E Major | 0 | 12B | 69 BPM | ||
| Liszt: Liebesträume, S. 541: No. 1 in A-Flat Major, Hohe Liebe | Franz Liszt, Mariam Batsashvili | A♭ Major | 0 | 4B | 74 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse - Recorded 1982 | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
| Pavane in F-Sharp Minor, Op. 50 | Gabriel Fauré, Lucas Debargue | F♯ Minor | 0 | 11A | 163 BPM |