On 2015, the song "Kamla" was released by Shafa Ullah Khan Rokhri. This song is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The song is number 3 out of 8 in Dhola by Shafa Ullah Khan Rokhri. Going off of the ISRC code of this track, we detected that the origin of this track is from Pakistan. In terms of popularity, Kamla is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Kamla by Shafa Ullah Khan Rokhri is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bauhta Pyar Na Kari | Vicky Badshah | A Major | 8 | 11B | 100 BPM | ||
| Dhola Jo Bewafa Hay | Ahmad Nawaz Cheena | A Minor | 9 | 8A | 110 BPM | ||
| Jaam Vi Paye Hin | Ahmad Nawaz Cheena | B♭ Minor | 8 | 3A | 83 BPM | ||
| Wangaa | Shafa Ullah Khan Rokhri | G Major | 6 | 9B | 114 BPM | ||
| Ishq Hai Dard – Dard Bhari Mohabbat Ki Sachi Aawaz | Sami Kanwal | A♭ Minor | 8 | 1A | 152 BPM | ||
| Khan Ghra Dy | KHADIJA MASOOD | F♯ Major | 9 | 2B | 140 BPM | ||
| Aayaa Ain Tey Aonda Rahein Aethe Dildar | Naseebo Laal | A Major | 4 | 11B | 125 BPM | ||
| Rooh di Parchai | Sufi-Punjabi | D Major | 7 | 10B | 81 BPM | ||
| Mukke Jazbaat-2 | Amaan Virk | E♭ Minor | 7 | 2A | 84 BPM | ||
| Tere Sadqe Ve Dildara | Nooran Lal | B Minor | 8 | 10A | 104 BPM | ||
| Dy Kay Chala Gya Perdais | Naseebo Laal | A Major | 4 | 11B | 125 BPM | ||
| Allah Janrain Te Yar Na | Shafa Ullah Khan Rokhri | A♭ Minor | 8 | 1A | 92 BPM | ||
| Bani Chaldi Rahi | Baba Bhola Singh, Dhadi Jatha Gurpreet Singh Landran Wale | D♭ Major | 6 | 3B | 176 BPM | ||
| Sidhiyan Karesan Tere Naal | Ahmed Nawaz Cheena | F Minor | 10 | 4A | 110 BPM | ||
| Mein Chips Dey Waang Karari | Naseebo | A Minor | 9 | 8A | 125 BPM | ||
| Hun Gayi Jawani | Rajjo Devi, Kuljeet Parihar | D♭ Major | 8 | 3B | 150 BPM | ||
| Kalle Kalle | Feroz Khan | D Major | 9 | 10B | 160 BPM | ||
| Saif ul Malook | Tahseen Sakina | F♯ Major | 3 | 2B | 73 BPM | ||
| Amplifier 90s Style | Aarav Sharma | B Minor | 7 | 10A | 89 BPM | ||
| Tuhnji Yaad | Master Manzoor | F♯ Major | 9 | 2B | 118 BPM | ||
| Allah Kainday Sang Na Toray | Sharafat Ali Khan | A♭ Major | 9 | 4B | 105 BPM | ||
| Ikk Ikk Taara | Inderjeet Singh | D♭ Minor | 6 | 12A | 94 BPM | ||
| Asan Nokar | Zeeshan Khan Rokhri | B♭ Minor | 6 | 3A | 116 BPM | ||
| Yaad Na Aa | Qamar Shahpuria | F Major | 6 | 7B | 72 BPM | ||
| Nit Di Narazgi Teri - Original | Saad Ali | E Minor | 4 | 9A | 103 BPM |