Susana Rinaldi's 'Malevaje' had a release date set for January 1, 2009. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Susana Rinaldi's "La Tana Con Todo" album is number 4 out of 10. On top of that, Argentina appears to be the country where this track was created. In terms of popularity, Malevaje is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Malevaje by Susana Rinaldi to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Te Estaba Esperando | Osvaldo Pugliese y su Orquesta | F♯ Major | 2 | 2B | 83 BPM | ||
| Sur | Aníbal Troilo, Roberto Goyeneche | D Minor | 5 | 7A | 83 BPM | ||
| Barro Tal Vez | Angelito Martinez, Godoy | D Minor | 1 | 7A | 127 BPM | ||
| Zamba de Usted | Raúl Lavié, Patricia Sosa | C Minor | 2 | 5A | 116 BPM | ||
| Que Nadie Sepa Mi Sufrir | Omar Mollo | D Major | 8 | 10B | 130 BPM | ||
| Siempre Se Vuelve a Buenos Aires | Elena Roger | G Major | 5 | 9B | 111 BPM | ||
| Melodía de Arrabal | Omar Mollo | D Minor | 0 | 7A | 67 BPM | ||
| Por una Cabeza | Angelito Martinez | A Minor | 3 | 8A | 81 BPM | ||
| La Triste Historia de Rosa Brown | Guillermo Fernández, Federico Mizrahi, Luis Longhi, Pedro Aznar | F Major | 3 | 7B | 98 BPM | ||
| Tu Pálida Voz | Horacio Molina | E Minor | 2 | 9A | 114 BPM | ||
| Uno | Armando Pontier | A Minor | 4 | 8A | 109 BPM | ||
| Si Yo Pudiera Comprender | Orquesta Típica Sans Souci, Emiliano Castignola | C Minor | 3 | 5A | 123 BPM | ||
| Malena | Susana Rinaldi | F Minor | 2 | 4A | 104 BPM | ||
| Sin Palabras | Susana Rinaldi | A Minor | 2 | 8A | 104 BPM | ||
| Se va, se va, se fue | Mariana Mazú | B Major | 6 | 1B | 103 BPM | ||
| Floreal Ruiz | Sexteto Fantasma, Natalia Martinez | E Major | 5 | 12B | 106 BPM | ||
| A un Semejante | Susana Rinaldi | F♯ Minor | 3 | 11A | 76 BPM | ||
| Gracias A Pesar De Todo | Eladia Blázquez | C Major | 2 | 8B | 86 BPM | ||
| Somos Como Somos | Eladia Blazquez | C Major | 3 | 8B | 81 BPM | ||
| Mano a Mano | Lidia Borda | D Minor | 5 | 7A | 107 BPM | ||
| A Homero | Susana Rinaldi | F♯ Minor | 2 | 11A | 108 BPM | ||
| Veinte Veinte | BIFE, Noelia Sinkunas | G Minor | 3 | 6A | 173 BPM | ||
| Como Dos Extraños | Raúl Lavié | F Major | 4 | 7B | 107 BPM | ||
| Todos Estos Años De Gente | Spinettango | D Minor | 5 | 7A | 95 BPM | ||
| La Madrugada | La Auténtica Milonguera | A Minor | 3 | 8A | 121 BPM |