Pareshdan Gadhvi's ' "Madhde Bethi Sonal Maa" was released on its scheduled release date, December 30, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Madhade Bethi Sonal Maa and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Madhde Bethi Sonal Maa's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Madhde Bethi Sonal Maa by Pareshdan Gadhvi to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Asopalav | Kinjal Rabari | B♭ Minor | 8 | 3A | 210 BPM | ||
| Tamne Biju Koi Gamva Lagyu | Pareshdan Gadhvi | A♭ Minor | 9 | 1A | 49 BPM | ||
| Mithila Me Chai Hamar Gaam | Sannu Kumar | G Minor | 9 | 6A | 172 BPM | ||
| Limda Vali Meldi Mataji No Navarango Mandavo Pt.2 | JK Timba | A♭ Major | 9 | 4B | 154 BPM | ||
| Meldi Na Aave Te Di Aathmano Di Uge | Rinku Bharwad | E Major | 9 | 12B | 111 BPM | ||
| Mara Aapela Naam Thi Tane Loko Odkhe Chhe | Rajni Dabhi | C Major | 9 | 8B | 142 BPM | ||
| Maro Bhayu Nano Ne Nakhrado | Hansha Bharwad | E Major | 7 | 12B | 95 BPM | ||
| Varraj | Pareshdan Gadhavi | F♯ Minor | 10 | 11A | 83 BPM | ||
| Jova Nahi Malu Tyare Mari Yad Aavse | Pankaj Mistry | F♯ Minor | 9 | 11A | 112 BPM | ||
| Badhai Mat Kar Man Me Gela | Shyam Paliwal | F♯ Minor | 10 | 11A | 83 BPM | ||
| Mogal Na Bharose Re Je - Original | Sagardan Gadhvi, NA | A Minor | 9 | 8A | 192 BPM | ||
| Aave Tari Yaad | Rajni Dabhi | A Minor | 9 | 8A | 111 BPM | ||
| મારો વીર નાનો ને નીંદરા રો || Rashmita Rabari | Studio Krishna Bhanvad | F Major | 6 | 7B | 96 BPM | ||
| Aayo Chu Tara Charne Jognima | Jignesh Barot, Kajal Maheriya, Jinal Goswami | D♭ Major | 5 | 3B | 142 BPM | ||
| Samru Tane Gel Mavdi | Manisha Bharwad | E Minor | 9 | 9A | 85 BPM | ||
| Maiya Narbada Thari Jay Jaykar | Nimadi Maa Narmada Bhajan | Ashwin Yadav | D♭ Major | 7 | 3B | 113 BPM | ||
| Padmaa (Ek Prem Katha) | Rinku Bharwad | E Major | 9 | 12B | 95 BPM | ||
| Mogal Maane Jaji Khamma - Original | Jignesh Kaviraj, NA | F♯ Minor | 8 | 11A | 170 BPM | ||
| Kiya Tan Manjta Re Ek Din Maati Me Mil Jana | Sukhdev Ji Maharaj Kuchera | E♭ Major | 9 | 5B | 139 BPM | ||
| Chhutkaro | Rahul Javanpura, Manish Thakor | D♭ Major | 8 | 3B | 135 BPM | ||
| Ae Mara Vala | Vijay Raval, Nilesh Raval | A♭ Major | 10 | 4B | 118 BPM | ||
| Mane Malva Aavsho Ke Nahi | Rajni Dabhi | F♯ Minor | 10 | 11A | 83 BPM | ||
| Kodiyavala Fumke Maru Dal Rai Gayu | Mahesh Vanzara, Hansha Bharwad | G Major | 7 | 9B | 93 BPM | ||
| Tu Nasib Ma Nathi | Jignesh Barot | B Major | 10 | 1B | 135 BPM | ||
| Kismat Khul Jyagi Sanwariya | Ratan Rao | B♭ Major | 9 | 6B | 80 BPM |