"Aries, Pt 1" by Mary Lou Williams had its release date on January 27, 1945. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 26 out of 44 in Blueprints for a Velvet Galaxy (After Hours Sessions) by Mary Lou Williams. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Aries, Pt 1's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Aries, Pt 1 by Mary Lou Williams is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blues The Most | Hampton Hawes Trio | G Minor | 2 | 6A | 145 BPM | ||
| Perdido | Mary Lou Williams | D♭ Major | 4 | 3B | 93 BPM | ||
| Blues in B Flat | Hazel Scott | F Major | 3 | 7B | 107 BPM | ||
| Take The "A" Train | Billy Strayhorn | C Major | 1 | 8B | 91 BPM | ||
| The Omen - Rudy Van Gelder Edition / 2006 Digital Remaster | Bobby Hutcherson | C Major | 5 | 8B | 115 BPM | ||
| (In My) Solitude | Marc Benham | E♭ Major | 1 | 5B | 105 BPM | ||
| Split Kick | Art Blakey | A♭ Major | 3 | 4B | 89 BPM | ||
| Walk On | Henry Grimes Trio | A Major | 2 | 11B | 60 BPM | ||
| Higher Grounds | Ingrid Jensen | F Minor | 2 | 4A | 90 BPM | ||
| Something Sweet, Something Tender - Remastered 1998/Rudy Van Gelder Edition | Eric Dolphy | F♯ Major | 3 | 2B | 135 BPM | ||
| Rojo - Remastered | Bobby Hutcherson | F♯ Major | 5 | 2B | 88 BPM | ||
| Things Ain't What They Used To Be - 1995 Remastered | Johnny Hodges & His Orchestra | D♭ Major | 1 | 3B | 89 BPM | ||
| Even Later | Bobby Hutcherson | B♭ Major | 3 | 6B | 81 BPM | ||
| The Garden of Gethesemanie | Emahoy Tsege Mariam Gebru | E Major | 0 | 12B | 66 BPM | ||
| Rosa Mae - Instrumental | Marian McPartland, Mary Lou Williams | C Major | 0 | 8B | 111 BPM | ||
| Cyclic Episode | Sam Rivers | D Major | 4 | 10B | 108 BPM | ||
| Taurus | Mary Lou Williams | E♭ Major | 1 | 5B | 105 BPM | ||
| Old Devil Moon | Ahmad Jamal | G Minor | 1 | 6A | 121 BPM | ||
| Crepuscule With Nellie (Take 6) | Thelonious Monk Septet | B♭ Minor | 0 | 3A | 178 BPM | ||
| Black Hands Bejewelled | Henry Threadgill | D Major | 5 | 10B | 94 BPM | ||
| Senor Blues | Horace Silver | E♭ Major | 1 | 5B | 105 BPM | ||
| Smog Eyes | Warne Marsh | A♭ Major | 3 | 4B | 110 BPM | ||
| Just For Now - Instrumental | The Montgomery Brothers | F Minor | 4 | 4A | 138 BPM | ||
| Lament | Hazel Scott | D Minor | 0 | 7A | 61 BPM | ||
| Humming Bird (Remastered 1985) | Paul Gonsalves | C Major | 3 | 8B | 145 BPM |