Martin Tingvall's 'Echoes from the Past' had a release date set for June 28, 2019. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Echoes from the Past's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Rocket". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. In terms of popularity, Echoes from the Past is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Echoes from the Past by Martin Tingvall having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Till dem därhemma | Martin Tingvall | B Minor | 0 | 10A | 100 BPM | ||
| Babbie's Daughter | Caroline Dale, David Gilmour | B♭ Minor | 5 | 3A | 114 BPM | ||
| Aurora | Cobario | E Major | 1 | 12B | 99 BPM | ||
| One Goes There Alone | Jan Garbarek | E♭ Minor | 2 | 2A | 76 BPM | ||
| Time to Move On | Anette Askvik | C Major | 1 | 8B | 104 BPM | ||
| The Last Post (Evolution) | Alexis Ffrench | B♭ Major | 2 | 6B | 80 BPM | ||
| YaYaYa | Nils Wülker, Arne Jansen | D Minor | 1 | 7A | 92 BPM | ||
| Alpha | Esbjörn Svensson | C Major | 1 | 8B | 108 BPM | ||
| Gentle Flow | Federico Albanese | G Minor | 1 | 6A | 169 BPM | ||
| Seminatori di grano | Gianmaria Testa | E♭ Minor | 2 | 2A | 140 BPM | ||
| Endlos | Heidi Pixner | A♭ Major | 1 | 4B | 93 BPM | ||
| Mute #2 | Poltrock | E Minor | 1 | 9A | 122 BPM | ||
| 2 Pieces for 4 Brothers: I. Flow | Oliver Davis, Hanke Brothers, Paul Bateman | D♭ Major | 2 | 3B | 130 BPM | ||
| Homegrown | Rymden, Bugge Wesseltoft, Magnus Öström, Dan Berglund | E Minor | 1 | 9A | 147 BPM | ||
| Homecoming (Hummingbird) | TOKUNBO | C Minor | 4 | 5A | 97 BPM | ||
| DOM | Martin Kohlstedt | D Minor | 1 | 7A | 135 BPM | ||
| Slottsskogen | Martin Hederos | D♭ Major | 0 | 3B | 133 BPM | ||
| Schafe können sicher weiden, BWV 208 - transcribed by Egon Petri | Johann Sebastian Bach, Egon Petri, Jan Lust | E Major | 2 | 12B | 109 BPM | ||
| Odd Times | Triosence | D Minor | 4 | 7A | 95 BPM | ||
| Let It Be | Bugge Wesseltoft | C Major | 0 | 8B | 71 BPM | ||
| Ois is koid | Dreiviertelblut | G Major | 3 | 9B | 168 BPM | ||
| Psalm | Tingvall Trio | E♭ Major | 1 | 5B | 104 BPM | ||
| The Parting Glass | Katrin Unterlercher | B♭ Major | 1 | 6B | 142 BPM | ||
| Und dann gehst | Ina Regen | D♭ Minor | 1 | 12A | 174 BPM | ||
| Nachthimmel und Sternenfall - feat. Peter Simonischek | Schönherz & Fleer, Peter Simonischek | D Minor | 1 | 7A | 89 BPM |