"Chasing Luisa Rey" by Tom Tykwer, Johnny Klimek, Reinhold Heil had its release date on October 23, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 18 out of 23 in Cloud Atlas (Original Motion Picture Soundtrack) by Tom Tykwer, Johnny Klimek, Reinhold Heil. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Chasing Luisa Rey's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chasing Luisa Rey by Tom Tykwer, Johnny Klimek, Reinhold Heil is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ten Men Fight | Bryce Dessner, Aaron Dessner, London Contemporary Orchestra | C Major | 6 | 8B | 150 BPM | ||
| Rising Tide | Geoff Knorr | D Minor | 2 | 7A | 140 BPM | ||
| The Isaacson Files | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 7 | 8B | 180 BPM | ||
| Travel To Edinburgh | Tom Tykwer, Johnny Klimek, Reinhold Heil | G Minor | 3 | 6A | 180 BPM | ||
| All That Is Good | Tyler Bates, Lisa Papineau | D Major | 10 | 10B | 143 BPM | ||
| The Second Attack - Bonus Track | Roque Baños | F Major | 1 | 7B | 82 BPM | ||
| Duett komplett - 8-Bit Mix | Spliff, Reinhold Heil | C Major | 7 | 8B | 127 BPM | ||
| Nosce - Almost Falling Remix | Almost Falling, Johnny Klimek, Tom Tykwer | F♯ Major | 6 | 2B | 126 BPM | ||
| G and Grey Together in Bath | Rachel Portman | G Major | 1 | 9B | 103 BPM | ||
| The Sacking of Trelawny | Nicholas Hooper | G Minor | 1 | 6A | 86 BPM | ||
| Mass Effect 3: a Future For the Krogan/An End Once and For All | Sarah Covey, London Philharmonic Orchestra | E Minor | 1 | 9A | 78 BPM | ||
| Then We Are Together | Johan Söderqvist | A♭ Major | 2 | 4B | 171 BPM | ||
| Interior Texture | Max Richter | C Minor | 0 | 5A | 140 BPM | ||
| Leaving Grasse (extended version) | Johnny Klimek, Reinhold Heil, Tom Tykwer, Berliner Philharmoniker/Sir Simon Rattle/State Choir Latvia, Sir Simon Rattle, Berliner Philharmoniker | B Minor | 0 | 10A | 131 BPM | ||
| El reloj de la abuela / El segundo cuento | Fernando Velázquez | C Major | 2 | 8B | 83 BPM | ||
| Trinity Definitely | Don Davis | B♭ Minor | 1 | 3A | 69 BPM | ||
| Sonmi's Discovery | Tom Tykwer, Johnny Klimek, Reinhold Heil | D♭ Major | 3 | 3B | 82 BPM | ||
| Young Nickerson | Roque Baños | F Major | 2 | 7B | 132 BPM | ||
| The Dominoes Fall | Dario Marianelli | A Minor | 4 | 8A | 120 BPM | ||
| Into The Rushes | Nicholas Hooper | C Major | 1 | 8B | 180 BPM | ||
| Lost at Sea - Bonus Track | Roque Baños | C Major | 1 | 8B | 112 BPM | ||
| Sextet for Orchestra | Tom Tykwer, Johnny Klimek, Reinhold Heil, Kristjan Järvi, MDR Sinfonieorchester | F Minor | 1 | 4A | 96 BPM | ||
| Beyond Fire - Extended Version | T.T.L. | F Major | 4 | 7B | 80 BPM | ||
| Apocalypse | John Ottman | B♭ Major | 2 | 6B | 84 BPM | ||
| Pennies For The Ferryman | Trevor Jones | D Minor | 1 | 7A | 116 BPM |