"Good Swing Wenceslas" by Traditional, Boston Pops Orchestra, Keith Lockhart had its release date on September 12, 1998. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Keith Lockhart's "Holiday Pops" album is number 9 out of 13. On top of that, United States appears to be the country where this track was created. Based on our statistics, Good Swing Wenceslas's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Good Swing Wenceslas by Traditional, Boston Pops Orchestra, Keith Lockhart to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Psalm XXIII | Charles Hylton Stewart, Michael Bloss, Choir of St John's, Elora, Noel Edison | E Major | 0 | 12B | 130 BPM | ||
| Miserere, Op. 44: 11. Miserere nobis - Lento, tranquilissimo, cantabilissimo, dolcissimo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | A Minor | 0 | 8A | 129 BPM | ||
| Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Hervé Niquet | G Major | 3 | 9B | 133 BPM | ||
| Pater Noster (Fernando Moruja) | Sexteto Cantábile | A♭ Minor | 1 | 1A | 138 BPM | ||
| Pueri concinite | Jacobus Gallus, Choeur Concinite de Louvain, Aerts Karel | G Major | 1 | 9B | 69 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| 黎族催眠歌 | 北京天使合唱團 | C Minor | 1 | 5A | 132 BPM | ||
| Madama Butterfly, Act II: Humming Chorus | Giacomo Puccini, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | B♭ Major | 0 | 6B | 73 BPM | ||
| Give Ear Unto My Words O Lord | Andrey Jackson | B Major | 0 | 1B | 72 BPM | ||
| Piano Sonata No. 11 in A major, K331: I. Adante Grazioso | Wolfgang Amadeus Mozart, Writing on Silence | A♭ Major | 1 | 4B | 47 BPM | ||
| Missa Festiva (Kyrie) | John Leavitt, Pěvecký sbor Stojanova gymnázia Velehrad, Cimbálová muzika Stojanova gymnázia Velehrad | E Minor | 3 | 9A | 80 BPM | ||
| Intermezzo sinfonico, from Symphonic Poetry | State R&T Symphony Orchestra Moscow | F Major | 3 | 7B | 79 BPM | ||
| Wait for the Lord | The Songs of Taize Session Singers | E Minor | 1 | 9A | 72 BPM | ||
| Meditation on "Amazing Grace | Adolphus Hailstork, James Kosnik | G Major | 1 | 9B | 171 BPM | ||
| Greensleeves | Traditional, London Cello Orchestra | E Minor | 1 | 9A | 88 BPM | ||
| Lux Aurumque | Eric Whitacre, Johann van der Sandt, Singkronies Chamber Choir | D♭ Minor | 0 | 12A | 130 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Bookes of Ayres, Book 2: Never weather-beaten saile more willing bent to shore | Thomas Campion, Julianne Baird, Ronn McFarlane | A♭ Major | 0 | 4B | 99 BPM | ||
| O Radiant Dawn | James MacMillan, Apollo5 | C Minor | 1 | 5A | 135 BPM | ||
| Cherubic Hymn: No. 7, — | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | G Minor | 0 | 6A | 144 BPM | ||
| Do szopy, hej, pasterze | Traditional Traditional, Dominikański Ośrodek Liturgiczny, Dorota Dąbrowska | F Major | 3 | 7B | 146 BPM | ||
| Mal di Testa | Alessandro Gozzo, Cats Rule the World | C Major | 2 | 8B | 73 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Hypakoe (Kontakion of Pascha) | St. Symeon Orthodox Church Octet | F♯ Major | 2 | 2B | 116 BPM | ||
| Prayer of St Teresa | Margaret Rizza, Kevin Mayhew Ltd | D Minor | 1 | 7A | 88 BPM |