Cenotaph's ' "Ex-Feminine Promiscuous Masculines Solidified Klitoris Swallowed by Vermins in Coffins" was released on its scheduled release date, July 5, 2011. Ex-Feminine Promiscuous Masculines Solidified Klitoris Swallowed by Vermins in Coffins is considered explicit and may contain foul language. This song is about 3 minutes and 14 seconds, which is about the average length of a typical song. There are a total of 21 in the song's album "Re-Puked Purulency". In this album, this song's track order is #7. In terms of popularity, Ex-Feminine Promiscuous Masculines Solidified Klitoris Swallowed by Vermins in Coffins is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Ex-Feminine Promiscuous Masculines Solidified Klitoris Swallowed by Vermins in Coffins by Cenotaph having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Propagating a Pestiferous Enmity | Iniquitous Savagery | A♭ Minor | 10 | 1A | 112 BPM | ||
| Surreptitious Lucidity | Dripped | D♭ Major | 9 | 3B | 145 BPM | ||
| Blacker Than Night | Internal Suffering | F♯ Minor | 10 | 11A | 160 BPM | ||
| Grotesque Monument of Paraperversive Transfixion | Epicardiectomy | D♭ Major | 10 | 3B | 138 BPM | ||
| Copulation Induced Fetal Disfigurement | Regurgitated Entrails | D♭ Minor | 10 | 12A | 80 BPM | ||
| Anal Action Wife | Lividity | B♭ Minor | 9 | 3A | 175 BPM | ||
| Stepbro Cum Funeral | Gorepot | D Major | 8 | 10B | 140 BPM | ||
| She Was in the Room With Me the Whole Time | Fatuous Rump | G Major | 10 | 9B | 109 BPM | ||
| Inhuman Grotesqueries | Malignancy | B Minor | 10 | 10A | 151 BPM | ||
| Exposing the Semihumans | Inveracity | F♯ Major | 10 | 2B | 106 BPM | ||
| Schizoid Acts of Mental Defloration | Cenotaph | D♭ Minor | 9 | 12A | 133 BPM | ||
| Decomposed of Structure | Vomit Remnants | B Major | 7 | 1B | 174 BPM | ||
| Nauseating Hunger for Human Feces | Infertile Surrogacy | D♭ Major | 9 | 3B | 98 BPM | ||
| Abnormaility Through Purulent Sputum | Syphilectomy | F♯ Major | 10 | 2B | 145 BPM | ||
| Gorenographic Pervert Victimology | Cenotaph | D♭ Minor | 9 | 12A | 125 BPM | ||
| The Art of War | Muramasa | A♭ Major | 10 | 4B | 110 BPM | ||
| Abortifacient Whore Lobotomizer | Putridity | B Minor | 10 | 10A | 135 BPM | ||
| Slowly Poisoned | Cordyceps Corpse | F♯ Major | 9 | 2B | 155 BPM | ||
| Radical Global Extermination | Despondency | F Minor | 10 | 4A | 127 BPM | ||
| Contemptuous Inception | Insidious Decrepancy | F♯ Major | 10 | 2B | 117 BPM | ||
| Throne of Rot | Insect Warfare | F♯ Minor | 10 | 11A | 100 BPM | ||
| Galactose-1-Phosphate Uridylyltransferase Deficiency (GALT) | Viscera Infest | B♭ Minor | 6 | 3A | 80 BPM | ||
| Rotted Human Waste | Vomit Remnants | B Minor | 7 | 10A | 111 BPM | ||
| Vayjayjay Parade | Gorepot | B Minor | 8 | 10A | 150 BPM | ||
| Deceased Incubation Protocol | Paediatrician | F♯ Major | 10 | 2B | 150 BPM |