Richard Stelten, Greg Danner, Joy Rachor's '2 Suites de danses de l'epoque baroque allemande, Suite No. 1 (Arr. R. Stelten for Horn & Piano): VI. Rondeau [After J.C. Ferdinand Fischer]' had a release date set for August 18, 2017. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 28 in Easy Contest Solos for French Horn, Vol. 1 by Greg Danner, Joy Rachor. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. 2 Suites de danses de l'epoque baroque allemande, Suite No. 1 (Arr. R. Stelten for Horn & Piano): VI. Rondeau [After J.C. Ferdinand Fischer] is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 2 Suites de danses de l'epoque baroque allemande, Suite No. 1 (Arr. R. Stelten for Horn & Piano): VI. Rondeau [After J.C. Ferdinand Fischer] by Richard Stelten, Greg Danner, Joy Rachor is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Garland of Sonnets, Op. 44: No. 2, Andante | Youli Galperine, Sergei Nakariakov, Maria Meerovitch | F Minor | 1 | 4A | 67 BPM | ||
| A Duet For Our Time: Of Beauty | Columbus State University Trombone Ensemble, Bill Thomas, George Curran | C Major | 1 | 8B | 138 BPM | ||
| Sarabande, BWV 1012 - Cello Suite No. 6, Arr. Fryer | Johann Sebastian Bach, Jonathan Freeman-Attwood, Daniel-Ben Pienaar | D Major | 0 | 10B | 126 BPM | ||
| Quintet No. 3 in D-Flat Major, Op. 11: II. Intermezzo | Victor Ewald, Center City Brass Quintet | C Major | 0 | 8B | 107 BPM | ||
| Hansel and Gretel: Evening Prayer | Engelbert Humperdinck, The London Horn Sound, Geoffrey Simon | B♭ Major | 0 | 6B | 72 BPM | ||
| 6 Metamorphoses after Ovid, Op. 49: No. 6, Arethusa | Benjamin Britten, Allan Vogel | D Major | 0 | 10B | 130 BPM | ||
| 生命の奇跡 for Saxophone Quartet | 雲井雅人サックス四重奏団 | G Major | 1 | 9B | 80 BPM | ||
| Kleine Dreigroschenmusik: III. Anstatt-dass Song | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | B Major | 0 | 1B | 102 BPM | ||
| Blue Shades | Frank Ticheli, Michigan State University Wind Symphony, John Whitwell | E♭ Major | 1 | 5B | 62 BPM | ||
| Egmont, Op. 84: Overture | Szeged Trombone Ensemble | D Minor | 1 | 7A | 93 BPM | ||
| Histoire du soldat Suite (the Soldier's Tale Suite): VIII. Petit / Grand Chorale | Igor Stravinsky, Rolf Schulte, William Blount, Christopher Gekker, Michael Powell, Frank Morelli, John Feeney, Gordon Gottlieb, Robert Craft | B Minor | 1 | 10A | 61 BPM | ||
| Clarinet Concerto: II. Scherzando | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | D Minor | 3 | 7A | 99 BPM | ||
| Bartók: Piano Concerto No. 3 in E Major, Sz. 119: I. Allegretto | Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | F♯ Major | 3 | 2B | 104 BPM | ||
| Tuba Suite: I. Allegro maestoso | Don Haddad, David Zerkel, Paolo Andre Gualdi | D Major | 1 | 10B | 144 BPM | ||
| Basin Street Blues | Spencer Williams, Canadian Brass | B♭ Major | 1 | 6B | 100 BPM | ||
| Paquito (Version for Saxophone & Piano) | Andy Scott, Timothy McAllister, Liz Ames | C Minor | 2 | 5A | 65 BPM | ||
| La Bayadere, Act I, Scene 2: 17. "High Brahmin and Rajah" | Evergreen Symphony Orchestra, Kevin Galiè | C Minor | 0 | 5A | 162 BPM | ||
| Second Suite for Military Band, Op. 28 No. 2: II. Song Without Words "I'll Love My Love" | Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | A♭ Major | 2 | 4B | 117 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
| Rhapsody for Clarinet | Willson Osborne, Karl Leister | D♭ Major | 0 | 3B | 143 BPM | ||
| Penny Lane | Canadian Brass | C Major | 1 | 8B | 121 BPM | ||
| Anders Högstedt: A Night At The Opera VIII | Anders Högstedt, Axiom Brass, Christian Lindberg | G Major | 1 | 9B | 112 BPM | ||
| Venus, the Bringer of Peace (From The Planets, Op. 32) - Arr. For Trombone & Organ | Gustav Holst, Peter Steiner, Constanze Hochwartner | C Major | 1 | 8B | 89 BPM | ||
| Stück für Flötenuhr nr. 30 | The Royal Wind Music | B♭ Major | 1 | 6B | 112 BPM | ||
| Memories of You | Gene Pokorny, David "Red" Lehr, Jazz Incredibles | B♭ Major | 0 | 6B | 84 BPM |