"Buzzards Arrive - Bonus Track" by Junkie XL had its release date on May 12, 2015. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Junkie XL's "Mad Max: Fury Road (Original Motion Picture Soundtrack) [Deluxe Version]" album is number 5 out of 26. The popularity of Buzzards Arrive - Bonus Track is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Buzzards Arrive - Bonus Track by Junkie XL to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Storm Is Coming - Extended Version | Junkie XL | A♭ Major | 8 | 4B | 121 BPM | ||
| Men in Metal | Don Davis | B♭ Minor | 5 | 3A | 123 BPM | ||
| For Those That Follow | Ben Salisbury, Geoff Barrow | A♭ Major | 1 | 4B | 167 BPM | ||
| Engländer | Thomas Newman | B♭ Minor | 3 | 3A | 100 BPM | ||
| Let The Girls Out | Ryan Amon | G Major | 2 | 9B | 170 BPM | ||
| Gastown | Junkie XL | A Major | 2 | 11B | 32 BPM | ||
| Gonna Have to Call You Back, Marvin | Trent Reznor and Atticus Ross | G Major | 2 | 9B | 116 BPM | ||
| Storm at Sea / Yggdrasill | Robin Carolan, Sebastian Gainsborough | D Minor | 1 | 7A | 66 BPM | ||
| History of Artemisia | Junkie XL | F Major | 9 | 7B | 80 BPM | ||
| Inner Planets | Anže Rozman, Andrew Christie | A Major | 1 | 11B | 72 BPM | ||
| Saw Gerrera | Nicholas Britell | F Minor | 2 | 4A | 90 BPM | ||
| The Power Plant | Don Davis | C Minor | 6 | 5A | 117 BPM | ||
| Gotham City, 1986 | Christopher Drake | A Major | 3 | 11B | 73 BPM | ||
| The Beginning | Danny Bensi and Saunder Jurriaans | D Major | 1 | 10B | 121 BPM | ||
| Enough Monkeying Around | Michael Giacchino, Tim Simonec, Hollywood Studio Symphony Orchestra | G Minor | 1 | 6A | 140 BPM | ||
| The Bog | Junkie XL | F Major | 5 | 7B | 93 BPM | ||
| Brother Number One | The Great Vorelli | C Major | 4 | 8B | 100 BPM | ||
| I Want You To Remember The One Man Who Beat You | Christopher Drake | D Minor | 4 | 7A | 133 BPM | ||
| The God Of War | Rupert Gregson-Williams | B Minor | 3 | 10A | 102 BPM | ||
| Final Test | Steve Jablonsky | G Major | 6 | 9B | 105 BPM | ||
| That’s Gotta Hurt | Don Davis | E Minor | 4 | 9A | 78 BPM | ||
| Firefight Robbery | Daniel Ciurlizza, Joni Fuller | F♯ Major | 4 | 2B | 110 BPM | ||
| Unholy Team Up | Christopher Lennertz | D♭ Major | 4 | 3B | 143 BPM | ||
| This is Madness! | Hans Zimmer, Junkie XL | D♭ Major | 7 | 3B | 128 BPM | ||
| Crossroads | Steven Price | F Major | 3 | 7B | 140 BPM |