"Madama Butterfly, SC 74: Humming Chorus (Arr. J.-B. Craipeau, G. Anderson & E.J. Roe for Vocal Ensemble & Piano Duo)" by Giacomo Puccini, Accent, Anderson & Roe had its release date on April 13, 2018. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Anderson & Roe, Accent's "Mother: A Musical Tribute" album is number 13 out of 13. On top of that, Hong Kong appears to be the country where this track was created. Madama Butterfly, SC 74: Humming Chorus (Arr. J.-B. Craipeau, G. Anderson & E.J. Roe for Vocal Ensemble & Piano Duo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madama Butterfly, SC 74: Humming Chorus (Arr. J.-B. Craipeau, G. Anderson & E.J. Roe for Vocal Ensemble & Piano Duo) by Giacomo Puccini, Accent, Anderson & Roe to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le nozze di Figaro, K. 492, Act II: No. 12, Voi che sapete | Wolfgang Amadeus Mozart, Cecilia Bartoli, Vienna Chamber Orchestra, György Fischer | B♭ Major | 1 | 6B | 119 BPM | ||
| Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 1 | 12B | 84 BPM | ||
| Offenbach: Les contes d'Hoffman, Act 4: "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse) | Jacques Offenbach, Jennifer Larmore, Jesús López-Cobos, Munich Radio Orchestra | D Major | 1 | 10B | 88 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
| Aida / Act 1: "Celeste Aida" | Giuseppe Verdi, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 89 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Marianne Crebassa, Marc Minkowski, Mozarteum Orchestra Salzburg | B♭ Major | 1 | 6B | 64 BPM | ||
| La Bohème / Act 1: "Sì. Mi chiamano Mimì" - Live | Giacomo Puccini, Anna Netrebko, Bavarian Radio Symphony Orchestra, Bertrand de Billy | C Minor | 1 | 5A | 61 BPM | ||
| Pie Jesu | Andrew Lloyd Webber, Anna Netrebko | A♭ Major | 0 | 4B | 78 BPM | ||
| Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
| Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| La Bohème / Act 1: Non sono in vena! - Si sente meglio | Giacomo Puccini, Rolando Villazón, Anna Netrebko, Bavarian Radio Symphony Orchestra, Bertrand de Billy | E Major | 2 | 12B | 91 BPM | ||
| Verdi: Rigoletto, Act 3: "La donna è mobile" (Duca) | Giuseppe Verdi, Carlo Rizzi, Orchestra of Welsh National Opera, Richard Leech | D Major | 1 | 10B | 131 BPM | ||
| Donizetti: Lucia di Lammermoor, Act 3: "Il dolce suono" (Lucia) | Gaetano Donizetti, Maria Callas, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | C Minor | 1 | 5A | 86 BPM | ||
| Amarilli mia bella | Giulio Caccini, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 72 BPM | ||
| L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
| Puccini: Un bel di, vedremo, Madama Butterfly | Celine Byrne, Giacomo Puccini, RTÉ National Symphony Orchestra, Marco Zambelli | D♭ Major | 1 | 3B | 90 BPM | ||
| Jacques Offenbach: Les contes d'Hoffmann - Bacarolle | Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal | D Major | 0 | 10B | 132 BPM | ||
| Core 'ngrato | Mario del Monaco | B Major | 1 | 1B | 167 BPM | ||
| Ombra mai fu | Andreas Scholl | E Major | 2 | 12B | 112 BPM | ||
| Thaïs: Méditation (Arr. for Violin and Orchestra) | Jules Massenet, Joshua Bell, Royal Philharmonic Orchestra, Nigel Hess | D Major | 2 | 10B | 95 BPM | ||
| Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
| Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM |