On 2012, the song "Yun Balamo Se Door" was released by Gopal Mathpal, Meena Rana. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gopal Mathpal, Meena Rana's "Mulmul Haisadi" album is number 7 out of 7. On top of that, India appears to be the country where this track was created. In terms of popularity, Yun Balamo Se Door is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Yun Balamo Se Door by Gopal Mathpal, Meena Rana to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goda Ma Raipur Sahar | Mamta Chandrakar | D♭ Major | 8 | 3B | 148 BPM | ||
| Jagala Laajvala | Anand Shinde | B Major | 7 | 1B | 147 BPM | ||
| O Papi man kar le bhajan | Aniruddhacharya Ji Maharaj | B Major | 7 | 1B | 102 BPM | ||
| Teri Bholi Anwara | Lalit Mohan Joshi | F Major | 6 | 7B | 138 BPM | ||
| Somabara Sankranti-Kalire Heba Dharma Nasha | Narendra Kumar | C Minor | 7 | 5A | 107 BPM | ||
| Mera Koi Na Sahara Bin Tere Ghanshyam | Puran Shiva | D Major | 6 | 10B | 80 BPM | ||
| De Ga Radhe Ghongadi | Suryakant Shinde | E♭ Minor | 9 | 2A | 97 BPM | ||
| Khali Khali Rihis | Sunil Soni, Mamta Chandrakar | G Minor | 8 | 6A | 106 BPM | ||
| Tumaku Dekhile Laguchi | Md. Aziz | C Minor | 7 | 5A | 69 BPM | ||
| Nachi De Chhama Chham Bhawani | Gopal Mathpal, Leela Bisht | F♯ Major | 5 | 2B | 110 BPM | ||
| Sawali Surat Par Mohan Dil Diwana Ho Gaya | jhukur singh | C Major | 9 | 8B | 100 BPM | ||
| Chal Gora Rani Mela Dikha Du Haridwar | Chanchal Prajapati | F♯ Minor | 9 | 11A | 100 BPM | ||
| Madi Taro Garbo Ghumato Jaye | Kirtidan Gadhvi | D♭ Major | 8 | 3B | 169 BPM | ||
| Ghumshyan Angaat Aal | Vaishali Samant, Swapnil Bandodkar | G Major | 8 | 9B | 164 BPM | ||
| Aali Bheemwadi | Milind Shinde | A Major | 7 | 11B | 165 BPM | ||
| Aanchar Bheej Gail - Purvi Classical Folk | Kalpana Patowary | E♭ Major | 7 | 5B | 100 BPM | ||
| Dhangarachya Banula Ghari Aanl Malharin | Ganesh Aswar, Vikas Salve | A Minor | 8 | 8A | 130 BPM | ||
| Daani Hokar Kyun Chup Baitha | Sanjay Mittal | A Major | 8 | 11B | 78 BPM | ||
| Chanani Taane Chalale | Devi | E♭ Major | 5 | 5B | 124 BPM | ||
| Sunu Sunu Bhola | Amit Jha | F♯ Major | 5 | 2B | 147 BPM | ||
| Nidiya Lege Raat Rani | Santosh Yadav, Chaya Prakash | B♭ Minor | 9 | 3A | 80 BPM | ||
| Ranikhet Ki Baand Neeru | Lalit Mohan Joshi | F♯ Minor | 7 | 11A | 104 BPM | ||
| Mayi Ho Didiya Kanha Gayili | Arvind Akela Kallu Ji | B♭ Minor | 9 | 3A | 154 BPM | ||
| Hari Jai Thiba | Akshaya Mohanty | C Minor | 5 | 5A | 78 BPM | ||
| Picham Dhara Su Mhara Pirji Padhariya | Prakash Mali | B♭ Minor | 8 | 3A | 91 BPM |