"Fade Into Me" by David Cook had its release date on June 24, 2011. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "This Loud Morning (Deluxe Version)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Fade Into Me's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Fade Into Me by David Cook having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Here In My Arms | The Sunstreak | D Major | 7 | 10B | 142 BPM | ||
| Howlin' (feat. Jessie James Decker) | Austin John, Jessie James Decker | D♭ Major | 8 | 3B | 100 BPM | ||
| Stolen | Dashboard Confessional | E♭ Major | 8 | 5B | 102 BPM | ||
| Could It Be Any Harder | The Calling | C Major | 8 | 8B | 105 BPM | ||
| True | Ryan Cabrera | F♯ Major | 4 | 2B | 97 BPM | ||
| Blind | Lifehouse | D Major | 8 | 10B | 87 BPM | ||
| Here's to the Night | Eve 6 | G Major | 7 | 9B | 97 BPM | ||
| Bittersweet Life | My Favorite Highway | C Major | 8 | 8B | 103 BPM | ||
| Lips Of An Angel | Hinder | D Major | 7 | 10B | 129 BPM | ||
| Bleed Out | Blue October | E♭ Major | 8 | 5B | 142 BPM | ||
| Inside Your Heaven | Bo Bice | D♭ Major | 6 | 3B | 135 BPM | ||
| Smile | Uncle Kracker | E Major | 8 | 12B | 141 BPM | ||
| Come On | Ben Jelen | A♭ Major | 6 | 4B | 136 BPM | ||
| It's You | Ryan Cabrera | B♭ Major | 4 | 6B | 87 BPM | ||
| All Messed Up | Breaking Point | D♭ Major | 7 | 3B | 172 BPM | ||
| Dying To Live | Scott Stapp | A Major | 7 | 11B | 115 BPM | ||
| Wait for You | Elliott Yamin | C Major | 5 | 8B | 116 BPM | ||
| The Truth | Kris Allen | E Major | 8 | 12B | 101 BPM | ||
| Dare You to Move | Switchfoot | E Major | 9 | 12B | 140 BPM | ||
| The Way We Were | Default | G Major | 8 | 9B | 169 BPM | ||
| End of Our Days | Howie Day | A Major | 5 | 11B | 80 BPM | ||
| When I'm With You | Faber Drive | G Major | 6 | 9B | 140 BPM | ||
| Good Morning Again (Gma) | Midnight To Twelve | C Major | 7 | 8B | 150 BPM | ||
| Let Me Take You There | Plain White T's | A Major | 7 | 11B | 126 BPM | ||
| Life on the Moon | David Cook | D Major | 8 | 10B | 166 BPM |