"Les Contes d'Hoffmann: Ne plus chanter!" by Jacques Offenbach, Richard Tucker, Lucine Amara, Pierre Monteux had its release date on October 28, 2011. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 41 in the song's album "Offenbach: Les Contes d'Hoffmann (Metropolitan Opera)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. Based on our statistics, Les Contes d'Hoffmann: Ne plus chanter!'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Contes d'Hoffmann: Ne plus chanter! by Jacques Offenbach, Richard Tucker, Lucine Amara, Pierre Monteux having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Entr'acte et choeur du sommeil (Choeur) | Jacques Offenbach, Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 1 | 9B | 97 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 0 | 6A | 66 BPM | ||
| Carmina Burana: I. O fortuna | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin | B♭ Major | 2 | 6B | 70 BPM | ||
| Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
| 5. Sabre Dance | Aram Khachaturian, Arthur Fiedler, Boston Pops Orchestra | C Major | 7 | 8B | 90 BPM | ||
| Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
| Tritsch-Tratsch-Polka, Op. 214 "Triqui Traqui" - Arr. by Paul Desenne | Johann Strauss II, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | A Major | 6 | 11B | 88 BPM | ||
| The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): I. Allegro | Karoly Botvay | E Major | 1 | 12B | 95 BPM | ||
| Wiener Blut, Op. 354 | Johann Strauss II, Vienna Volksoper Orchestra, Franz Bauer-Theussl | D Major | 2 | 10B | 93 BPM | ||
| Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
| Offenbach: La Belle Hélène: Ouverture | Jacques Offenbach, Marc Minkowski, Les Musiciens du Louvre | A Major | 2 | 11B | 82 BPM | ||
| La bohème: Quando me'n vo' | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A Minor | 3 | 8A | 77 BPM | ||
| La Belle Hélène - Opéra-bouffe en 3 actes. Livret d'Henri Meilhac & Ludovic Halévy - Acte III - Entracte - N°18 - Choeur & chanson d'Oreste : Dansons, buvons (Choeur, Oreste) - N°18b - Ronde : Vénus au fond de notre âme (Oreste, Choeur) | Jacques Offenbach, Colette Alliot Lugaz - Choeur du Capitole de Toulouse - Orchestre Du Capitole De Toulouse - Michel Plasson, Orchestre Du Capitole De Toulouse | A♭ Major | 2 | 4B | 116 BPM | ||
| Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Par Saturne!, quel est ce bruit (Jupiter/Choeur/Diane) | Jacques Offenbach, Laurent Naouri/Jennifer Smith/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A Major | 4 | 11B | 113 BPM | ||
| Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
| The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | A Major | 2 | 11B | 70 BPM | ||
| Concerto for 2 Mandolins, Strings and Continuo in G Major, RV. 532: III. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | B Major | 3 | 1B | 112 BPM | ||
| Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
| Wine, Women and Song | George Henkla | F Major | 2 | 7B | 182 BPM | ||
| Mozart: Die Zauberflöte, K. 620: Overture | Wolfgang Amadeus Mozart, Wolfgang Sawallisch, Bayerisches Staatsorchester | E♭ Major | 1 | 5B | 80 BPM | ||
| Prince Igor: Polovtsian Dances (Version for Chorus) | Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 2 | 11B | 110 BPM | ||
| Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | E♭ Major | 0 | 5B | 81 BPM | ||
| Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | B♭ Major | 6 | 6B | 124 BPM | ||
| Tahiti Trot | Vincent Youmans, Concertgebouworkest, Riccardo Chailly | A♭ Major | 1 | 4B | 85 BPM | ||
| Barcarolle: Belle nuit, ô nuit d’amour (Les Contes d’Hoffmann) | Jacques Offenbach, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | D Major | 1 | 10B | 129 BPM |