"Graveyard" by Tim Wynn had its release date on May 16, 2025. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Graveyard's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 32 in Final Destination: Bloodlines (Original Motion Picture Soundtrack) by Tim Wynn. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Graveyard is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Graveyard by Tim Wynn is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Open a Breach | Ben Prunty | C Major | 3 | 8B | 138 BPM | ||
| Eastern Wind | PROJECT ACES, Bandai Namco Game Music | E Minor | 0 | 9A | 72 BPM | ||
| Test of Mettle | Halo, Gareth Coker | F Major | 6 | 7B | 102 BPM | ||
| Surface Tension 2 | Joel Nielsen | B Minor | 8 | 10A | 88 BPM | ||
| Helix Armada | Bill Brown, Mikael Sandgren | G Major | 4 | 9B | 135 BPM | ||
| Left Behind | Adam Schneider | D Major | 2 | 10B | 180 BPM | ||
| The Point of No Return | Artur Tokhtash, World of Warships Music Group | C Major | 2 | 8B | 117 BPM | ||
| Invictus | Sean Murray | A♭ Major | 7 | 4B | 145 BPM | ||
| Forest Brotherhood | Metro Exodus, Alexey Omelchuk | B♭ Minor | 5 | 3A | 100 BPM | ||
| Detroit Marketplace | Michael McCann | B Major | 5 | 1B | 180 BPM | ||
| O Muse | Michael Curran | B♭ Major | 3 | 6B | 100 BPM | ||
| Avenger Attacked | Tim Wynn | G Major | 4 | 9B | 128 BPM | ||
| Zellenblock B-2 | Mick Gordon | B Minor | 7 | 10A | 127 BPM | ||
| Tremor | Cris Velasco | A♭ Major | 5 | 4B | 140 BPM | ||
| Unification Day | Tim Wynn | C Minor | 1 | 5A | 94 BPM | ||
| The Righteous Path | Simon Ravn, Tim Wynn | C Major | 3 | 8B | 77 BPM | ||
| Battle of Akragas | Richard Beddow | D Major | 0 | 10B | 170 BPM | ||
| European Intrigue | Tim Wynn | G Minor | 4 | 6A | 145 BPM | ||
| Veso Dash R | Keith Power, Digital Extremes Ltd., Evan Duffy | G Major | 9 | 9B | 112 BPM | ||
| Streets of New London | Piotr Musiał | C Minor | 3 | 5A | 83 BPM | ||
| Welcome to the Fight | Wilbert Roget, II | B♭ Major | 5 | 6B | 108 BPM | ||
| Fight to Freedom | Net-Zone | D♭ Minor | 7 | 12A | 146 BPM | ||
| Vor's Prize | Keith Power | C Major | 4 | 8B | 100 BPM | ||
| Load Out | Paul Haslinger | E Minor | 4 | 9A | 92 BPM | ||
| Questionable Ethics 1 | Joel Nielsen | G Major | 8 | 9B | 105 BPM |