Carlos Libedinsky's ' "Hipermilonga" was released on its scheduled release date, March 6, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 7 in Cielo by Carlos Libedinsky. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. In terms of popularity, Hipermilonga is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Hipermilonga by Carlos Libedinsky is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oh, These Dark Eyes | Tango No. 9 | G Minor | 2 | 6A | 121 BPM | ||
| Quejas de bandoneón | Adolfo Berón | E Minor | 3 | 9A | 118 BPM | ||
| Ochi Chyornye (ojos negros) | Fabio Hager Sexteto | G Major | 4 | 9B | 94 BPM | ||
| neruda | Rupa & the April Fishes | A Minor | 4 | 8A | 130 BPM | ||
| Grimea | Martin Mengel, Gonzalo Rujelman, Carlos Libedinsky, Julián Gancberg | A Minor | 2 | 8A | 100 BPM | ||
| Raíces | Electro Dub Tango | D Minor | 6 | 7A | 96 BPM | ||
| Punto final - Instrumental | Fabio Hager Sexteto | D Major | 6 | 10B | 120 BPM | ||
| Plano Secuencia | Rosana Laudani, Carlos Libedinsky | D♭ Minor | 2 | 12A | 130 BPM | ||
| Evolucionar | Stolen Beat | B Minor | 5 | 10A | 95 BPM | ||
| El lloron | Ángel Villoldo, Trio Hugo Diaz | C Minor | 3 | 5A | 113 BPM | ||
| Veinte Veinte | BIFE, Noelia Sinkunas | G Minor | 3 | 6A | 173 BPM | ||
| Te Vi Partir | Alacran | E♭ Major | 7 | 5B | 120 BPM | ||
| Amante | Remo Anzovino | A Major | 3 | 11B | 101 BPM | ||
| Malena | Roberto Alvarez, Estilo Para Bailar | C Minor | 4 | 5A | 114 BPM | ||
| Ensueños | Sexteto Mayor | E Minor | 2 | 9A | 114 BPM | ||
| Darsena | Juan Carlos Caceres | G Minor | 3 | 6A | 136 BPM | ||
| La Peregrinacion | Sexteto Mayor | A Minor | 2 | 8A | 77 BPM | ||
| La Cumparsita | Bulevard Tango Club | G Major | 8 | 9B | 125 BPM | ||
| La cicatriz (Arr. D'Arienzo) | Cuarteto Soltango | D Minor | 3 | 7A | 112 BPM | ||
| Tal Vez Sera Su Voz | Rosana Laudani, Carlos Libedinsky | D♭ Minor | 2 | 12A | 130 BPM | ||
| Toca Tango | Juan Carlos Caceres | G Minor | 3 | 6A | 136 BPM | ||
| el Violin De Becho | SILENCIO tango orchestra | E Minor | 3 | 9A | 107 BPM | ||
| A Evaristo Carriego | Orquesta Color Tango | D Minor | 4 | 7A | 112 BPM | ||
| La Mariposa | Conjunto Berretin | F Minor | 2 | 4A | 132 BPM | ||
| Midnight express | Hyperion Ensemble | E♭ Major | 5 | 5B | 90 BPM |