青木光一's '東京娘' had a release date set for June 21, 1996. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in デビュー45周年企画/青木光一全集, so we believe that "東京娘" is a single. Based on our statistics, 東京娘's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 東京娘 by 青木光一 is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 遠花火―新録版― | Hiroyuki Nishikata | D Major | 6 | 10B | 139 BPM | ||
| くちなしの花 | Ryotaro Sugi | A Minor | 3 | 8A | 96 BPM | ||
| 男のいのち | Kiyoko Suizenji | D Major | 5 | 10B | 144 BPM | ||
| 命ばらばら | Shiro Miya | A♭ Major | 5 | 4B | 129 BPM | ||
| まず一献 | 村田英雄 | B♭ Minor | 4 | 3A | 84 BPM | ||
| お別れ公衆電話 | Keiko Matsuyama | B♭ Minor | 3 | 3A | 115 BPM | ||
| 時は流れる | Jun Mayuzumi | D Major | 3 | 10B | 110 BPM | ||
| 明日の詩 | Ryotaro Sugi | E Minor | 5 | 9A | 124 BPM | ||
| かたかごの花 | Yoko Seri | E Minor | 4 | 9A | 87 BPM | ||
| 片時雨 | Kumi Iwamoto | A♭ Major | 8 | 4B | 80 BPM | ||
| 関東一本〆 | 二葉百合子 | G Major | 4 | 9B | 130 BPM | ||
| 惜別 | Shinichiro Hakozaki | F Major | 4 | 7B | 87 BPM | ||
| おもいで北千住 | Jiro Atsumi | F♯ Major | 4 | 2B | 125 BPM | ||
| 月が出ている港町 | 青木光一 | B♭ Major | 2 | 6B | 144 BPM | ||
| 親父 | Kyu Sakamoto | F♯ Minor | 4 | 11A | 84 BPM | ||
| 東京アンナ | Yoshiko Ootsu | G Minor | 5 | 6A | 86 BPM | ||
| キューポラのある街 | Sayuri Yoshinaga | B Minor | 4 | 10A | 106 BPM | ||
| 対馬酒唄 | 高倉健 | B Minor | 6 | 10A | 147 BPM | ||
| ブルーナイト・イン札幌 | Shinichiro Hakozaki | G Minor | 4 | 6A | 87 BPM | ||
| なごり雨 | Eisaku Okawa | E♭ Minor | 5 | 2A | 134 BPM | ||
| 君は心の妻だから | 鶴岡雅義と東京ロマンチカ 三條正人 | C Minor | 3 | 5A | 92 BPM | ||
| ひとひらの雪 | Shoji Koganezawa | B♭ Minor | 7 | 3A | 128 BPM | ||
| 東京の人 | 三浦洸一 | A Minor | 3 | 8A | 82 BPM | ||
| 男と女でいたいのよ | Hiroshi Kadokawa | D Minor | 3 | 7A | 144 BPM | ||
| 別離(わかれ) | 岸洋子 | E Minor | 3 | 9A | 105 BPM |