Hibari Misora's '悲しき口笛' had a release date set for June 24, 2012. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. 悲しき口笛's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ステレオによる美空ひばりベスト, so we believe that "悲しき口笛" is a single. 悲しき口笛 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 悲しき口笛 by Hibari Misora is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 時の過ぎゆくままに | Kenji Sawada | E Minor | 5 | 9A | 136 BPM | ||
| 津軽のふるさと | Hibari Misora | E Minor | 3 | 9A | 76 BPM | ||
| とまり木 | Sachiko Kobayashi | F Minor | 3 | 4A | 144 BPM | ||
| いいじゃないの幸せならば | Naomi Sagara | F Minor | 2 | 4A | 99 BPM | ||
| 酒場にて | Chiemi Eri | F Minor | 4 | 4A | 70 BPM | ||
| 別れの朝 | Mariko Takahashi | D Minor | 5 | 7A | 86 BPM | ||
| 京都慕情 | Yuko Nagisa | F Major | 3 | 7B | 94 BPM | ||
| 無縁坂 | Grape | G Minor | 5 | 6A | 177 BPM | ||
| 無法松の一生 - 度胸千両入り | 村田英雄 | A Minor | 2 | 8A | 127 BPM | ||
| 長崎の蝶々さん | Hibari Misora | A Major | 3 | 11B | 96 BPM | ||
| カナダからの手紙 | 平尾昌晃&畑中葉子 | B Major | 5 | 1B | 94 BPM | ||
| 月の法善寺横町 | Takeo Fujishima | A Minor | 3 | 8A | 133 BPM | ||
| もしかして PART II | Sachiko Kobayashi, 美樹克彦 | E♭ Minor | 6 | 2A | 169 BPM | ||
| 釜山港へ帰れ | Jiro Atsumi | E Minor | 6 | 9A | 107 BPM | ||
| 居酒屋 | Hiroshi Itsuki, 木の実ナナ | F♯ Major | 4 | 2B | 110 BPM | ||
| わたしの青い鳥 | Junko Sakurada | A Major | 5 | 11B | 131 BPM | ||
| ふたり酒 | 川中美幸 | D Minor | 5 | 7A | 114 BPM | ||
| 円山・花町・母の町 | Eiji Miyoshi | A Minor | 4 | 8A | 95 BPM | ||
| 愛と死をみつめて | 青山和子 | B Minor | 2 | 10A | 95 BPM | ||
| 花の時・愛の時 | Kiyoshi Maekawa | B Minor | 5 | 10A | 78 BPM | ||
| 能登半島 | Sayuri Ishikawa | C Minor | 7 | 5A | 74 BPM | ||
| そんな夕子にほれました | 増位山太志郎 | F♯ Major | 4 | 2B | 102 BPM | ||
| 霧の摩周湖 | Akira Fuse | A Minor | 4 | 8A | 118 BPM | ||
| ラストダンスは私に | Fubuki Koshiji | A♭ Major | 2 | 4B | 123 BPM | ||
| 大勝負 | Kiyoko Suizenji | F Major | 5 | 7B | 138 BPM |