EB's 'Break Out - The Best Ringtones' had a release date set for January 1, 2012. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in EB's "Hits Ringtones (The Best Ringtones)" album is number 6 out of 15. On top of that, Italy appears to be the country where this track was created. Break Out - The Best Ringtones is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Break Out - The Best Ringtones by EB to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| God of consolation | Stephen Moore | D Major | 3 | 10B | 129 BPM | ||
| Blessings On The Day | Hen Hoose Collective | G Major | 4 | 9B | 124 BPM | ||
| Evermore | Allan Aguirre | G Major | 4 | 9B | 200 BPM | ||
| Down the Stream | Ian West | E♭ Major | 5 | 5B | 151 BPM | ||
| JoyRide | Steve Poltz | G Major | 4 | 9B | 124 BPM | ||
| Trying | Jenny Dietzel | G Major | 5 | 9B | 148 BPM | ||
| Why? | Rachel Brashear | A Minor | 3 | 8A | 56 BPM | ||
| Space | Scottstonenes | G Major | 2 | 9B | 103 BPM | ||
| Jamming - The Best Ringtones | EB | C Major | 3 | 8B | 120 BPM | ||
| Fear Not Mary | Steve Moore Oldster | C Major | 2 | 8B | 70 BPM | ||
| Quint's Cantina | GALVEZTON | G Major | 4 | 9B | 124 BPM | ||
| Respond | Susanettroy | A♭ Major | 1 | 4B | 201 BPM | ||
| The Tempest | Rachel Brashear | D Minor | 4 | 7A | 78 BPM | ||
| Sam McGee's Lover's Lament | Melyssa Lee, Education Party | G Minor | 5 | 6A | 182 BPM | ||
| I Can't Keep Myself From Loving You | James Walsh | G Major | 4 | 9B | 124 BPM | ||
| Burning Slow | Flora Falls | G Major | 4 | 9B | 124 BPM | ||
| The Train Ride Home | Kristof Vesely | G Major | 4 | 9B | 124 BPM | ||
| Darlin' Please | Vox Liminis | E Major | 3 | 12B | 77 BPM | ||
| HIS PERFECT LOVE - FM2 | Stephen Youmoore | D Major | 5 | 10B | 94 BPM | ||
| Lonesome Way | Ingeborg von Agassiz | G Major | 6 | 9B | 130 BPM | ||
| The Squall | Trappist Afterland | B Minor | 3 | 10A | 105 BPM | ||
| 93 | EB | A Major | 6 | 11B | 122 BPM | ||
| Song to the Siren | The Czars | B♭ Major | 3 | 6B | 96 BPM | ||
| Nothing Is Quite as It Seems | Attic Girl | G Major | 4 | 9B | 124 BPM | ||
| SPIKE IN THE BASEMENT | Sam Russell & the Harborrats | A Major | 9 | 11B | 107 BPM |