John Williams, Claude Delangle, Swedish Wind Ensemble, Christian Lindberg's ' "Catch Me If You Can: II. Reflectively and Freely (Arr. J. Bocook)" was released on its scheduled release date, March 26, 2013. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Catch Me If You Can: II. Reflectively and Freely (Arr. J. Bocook)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claude Delangle, Christian Lindberg, Swedish Wind Ensemble's "La creation du monde" album is number 2 out of 17. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Catch Me If You Can: II. Reflectively and Freely (Arr. J. Bocook)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Catch Me If You Can: II. Reflectively and Freely (Arr. J. Bocook) by John Williams, Claude Delangle, Swedish Wind Ensemble, Christian Lindberg to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| II. With tranquility | Paul Creston, Donald Sinta, Nelita True | A♭ Major | 0 | 4B | 60 BPM | ||
| Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | ||
| Tuba Suite: III. Allegro con brio | Don Haddad, David Zerkel, Paolo Andre Gualdi | E♭ Major | 0 | 5B | 135 BPM | ||
| Fantaisie, Op. 89 | Jean-Baptiste Singelee, Claude Delangle, Odile Delangle | E♭ Minor | 0 | 2A | 80 BPM | ||
| Ravel: Vocalise-étude en forme de habanera, M. 51 (Arr. for Trumpet and Orchestra) | Alison Balsom | G Major | 1 | 9B | 81 BPM | ||
| Concertpiece #2, Op. 12 | Vasily Brandt, Joshua Whitehouse, Joshua Whitehouse, Cornet And Trumpet, Gail Novak, Piano | F Minor | 1 | 4A | 99 BPM | ||
| Romance, Op. 21. Moderato | Axel Jørgensen, Jörgen Van Rijen, Alla Libo | D Major | 0 | 10B | 136 BPM | ||
| 2 Poems by Ryokan: No. 1, Awayuki no… (Light Snow) | Masakazu Natsuda, Marie Kobayashi, Claude Delangle, Jean Geoffroy | B Minor | 1 | 10A | 168 BPM | ||
| Adagio-Tarantella | United States Coast Guard Band, Chief Musician Ralph R. Loomis | D Major | 0 | 10B | 69 BPM | ||
| Sonata Santera: I. Despojo | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Hommage á Richard Strauss for Clarinet Solo | Béla Kovács | F Minor | 0 | 4A | 109 BPM | ||
| Quintet No. 3 in D-Flat Major, Op. 11: IV. Vivo | Victor Ewald, Center City Brass Quintet | D♭ Major | 1 | 3B | 123 BPM | ||
| Petite Piece | Claude Debussy, Claude Delangle, Odile Delangle | G Major | 0 | 9B | 63 BPM | ||
| Sextet for Brass in E-Flat Minor, Op. 30: IV. Finale. Allegro con spirito | Oskar Böhme, Center City Brass Quintet, Jack Sutte | E♭ Major | 2 | 5B | 101 BPM | ||
| Cantabile et Presto | George Enescu, Susan Milan, Ian Brown | E♭ Major | 2 | 5B | 81 BPM | ||
| Koojo No Tsuki | Rentaro Taki, Marc Grauwels | A Minor | 0 | 8A | 67 BPM | ||
| Maknongan | Giacinto Scelsi, Claude Delangle | C Minor | 0 | 5A | 131 BPM | ||
| Dissolve: I. Evenly | Emily Cooley, Prism Quartet | G Major | 1 | 9B | 87 BPM | ||
| Garland of Sonnets, Op. 44: No. 3, Moderato con moto | Youli Galperine, Sergei Nakariakov, Maria Meerovitch | F Major | 1 | 7B | 131 BPM | ||
| Poulenc: Clarinet Sonata, FP 184: II. Romanza | Francis Poulenc, Sabine Meyer | G Minor | 0 | 6A | 67 BPM | ||
| III. With gaiety | Paul Creston, Donald Sinta, Nelita True | D Major | 2 | 10B | 140 BPM | ||
| En una petite garconniere de Montmatre | Gabriel Senanes, Susanna Moncayo, Claude Delangle, Odile Catelin-Delangle, Max Bonnay, Eric Chalan | B Minor | 1 | 10A | 100 BPM | ||
| Nocturne, Op. 7 | Franz Strauss, Stefan Dohr, Markus Becker | D♭ Major | 0 | 3B | 66 BPM | ||
| III. Rhythmic | Claude Delangle, Swedish Wind Ensemble, Christian Lindberg | B Minor | 1 | 10A | 96 BPM | ||
| Fantasie Sur Un Théme Original | Jules Demersseman, Wonki Lee, Esther Lim | B♭ Major | 1 | 6B | 126 BPM |