Arkadia Short Cuts, Billy Taylor's ' "Lover Come Back To Me - Short Cut - theme" was released on its scheduled release date, March 15, 2024. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "Short Cuts from Music Keeps Us Young". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Lover Come Back To Me - Short Cut - theme's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Lover Come Back To Me - Short Cut - theme by Arkadia Short Cuts, Billy Taylor having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quiet Revolution | Fifth Window | F Minor | 1 | 4A | 217 BPM | ||
| We Never Talked | Sky Bar Session | F Major | 5 | 7B | 107 BPM | ||
| Interlude - Radio Mix | Billy Taylor | C Major | 1 | 8B | 71 BPM | ||
| Everything I Love | Kenny Drew | A♭ Major | 1 | 4B | 114 BPM | ||
| Geneval Flow | Tjazzy | D Major | 0 | 10B | 98 BPM | ||
| Jag vet en dejlig rosa | Jazzagenturen, Leo Lindberg Trio | A Minor | 1 | 8A | 66 BPM | ||
| Low Tide Moment | Quartier Bleu | C Major | 1 | 8B | 109 BPM | ||
| Amber | Fifth Window | F Minor | 1 | 4A | 217 BPM | ||
| One for the Woofer - Short Cut - piano solo | Arkadia Short Cuts, Billy Taylor | A♭ Major | 3 | 4B | 176 BPM | ||
| Alverna | Linear Swing Jazz Club | B♭ Minor | 2 | 3A | 117 BPM | ||
| Cobalt Skyline | Microgroove | D Minor | 5 | 7A | 88 BPM | ||
| Stay Right With It | Barry Harris Trio | E♭ Major | 3 | 5B | 96 BPM | ||
| Rue des Étoiles | Maison de Jazz | E Minor | 1 | 9A | 167 BPM | ||
| Downtown Decisions | Five Points Ensemble | E♭ Major | 0 | 5B | 178 BPM | ||
| Triassic Beat | Jurassic Jazz | B♭ Minor | 4 | 3A | 80 BPM | ||
| I Wish I Knew How It Would Feel to Be Free - Short Cut - end theme | Arkadia Short Cuts, Billy Taylor | A♭ Major | 3 | 4B | 176 BPM | ||
| Tree | raLoki | E♭ Major | 0 | 5B | 178 BPM | ||
| In a Sentimental Mood | Billy Taylor | A♭ Major | 2 | 4B | 64 BPM | ||
| Don'cha Go 'Way Mad | Jan Lundgren Trio | G Minor | 6 | 6A | 129 BPM | ||
| Matchstick Moments | Frank Miller Jazz Band | E♭ Major | 0 | 5B | 178 BPM | ||
| One for the Woofer - Short Cut - bass solo | Arkadia Short Cuts, Billy Taylor, Chip Jackson | A♭ Major | 3 | 4B | 176 BPM | ||
| Carbon Heels | Blue Matchbox | G Minor | 1 | 6A | 61 BPM | ||
| Nothing But Time | Sherbourne Rivers | C Major | 1 | 8B | 97 BPM | ||
| Paragon | Salma Del Sol | C Major | 5 | 8B | 168 BPM | ||
| Dancing In The Starlight | Rainer Schnelle | B♭ Major | 3 | 6B | 74 BPM |