"Faux Interlude" by Christopher Cerrone, Metropolis Ensemble, Andrew Cyr had its release date on July 7, 2023. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Christopher Cerrone's "In A Grove" album is number 9 out of 11. On top of that, United States appears to be the country where this track was created. Faux Interlude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Faux Interlude by Christopher Cerrone, Metropolis Ensemble, Andrew Cyr to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stefan's Dream | Brecht Ameel | E Major | 1 | 12B | 108 BPM | ||
| Sonata For Solo Cello "Joanna's Tale": II. | Dobrawa Czocher | D Minor | 4 | 7A | 95 BPM | ||
| In C 2 | Terry Riley, Maya Beiser | D Minor | 5 | 7A | 120 BPM | ||
| Lauda 3 | Gavin Bryars, Roger Heaton | G Minor | 0 | 6A | 76 BPM | ||
| Dolomites, pale mountains: I. Marmolada | Rachel Portman, LGT Young Soloists, Alexander Gilman | G Major | 0 | 9B | 86 BPM | ||
| Bruremarsj frå Beiarn (Perf. on Sheng, Viola & Double Bass) | Traditional, Wu Wei, Martin Stegner, Janne Saksala | D Major | 0 | 10B | 130 BPM | ||
| Golden Brown | Estoria | E♭ Major | 0 | 5B | 51 BPM | ||
| Howl and Claw | Laura Cannell | E♭ Major | 0 | 5B | 51 BPM | ||
| Ghost Reefs | Kris Davis | E♭ Major | 0 | 5B | 51 BPM | ||
| Forest Glade | Sokratis Sinopoulos, Yann Keerim | A Major | 0 | 11B | 135 BPM | ||
| After The Rain | Aron Ottignon, Nane Kahle | E♭ Major | 0 | 5B | 51 BPM | ||
| El Codicilo de Isabel | Cedric Vermue | F Major | 1 | 7B | 69 BPM | ||
| Night Seasons: I. Nox Perpetua | Rebecca Dale, Catullus, Guy Johnston, Tenebrae, Philharmonia Orchestra, Nigel Short, Richard McVeigh | B♭ Major | 1 | 6B | 67 BPM | ||
| Alice | Shida Shahabi | A Major | 1 | 11B | 87 BPM | ||
| Bright Edge Deep: Wicklow Also | Sarah Neutkens, Alma Quartet Amsterdam | F Minor | 0 | 4A | 72 BPM | ||
| Senape | BeastyBass | D Major | 0 | 10B | 38 BPM | ||
| Espresso | Peter Gregson | E♭ Major | 0 | 5B | 51 BPM | ||
| Pause or Breathe | Paul Smith, Christophe Duquesne, Teena Lyle, Daniela Mars, Neil Valentine | A Minor | 1 | 8A | 124 BPM | ||
| All Along | Hildur Guðnadóttir | C Major | 0 | 8B | 96 BPM | ||
| Nocturne I | Jane Antonia Cornish, Decoda | G Minor | 1 | 6A | 85 BPM | ||
| The Arching Path: I. Musmeci's Concrete | Christopher Cerrone, Timo Andres | A♭ Minor | 6 | 1A | 166 BPM | ||
| Greater Antiphons: II. O Adonai | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | D Major | 0 | 10B | 138 BPM | ||
| Inner Realms - Contrabass Flute Version | Daniela Mars | A♭ Minor | 0 | 1A | 76 BPM | ||
| Press One | Jack Sheen, Apartment House | E♭ Major | 0 | 5B | 51 BPM | ||
| To Fold & Remain Dormant | Jóhann Jóhannsson, Theatre Of Voices, Paul Hillier, American Contemporary Music Ensemble | E Minor | 2 | 9A | 83 BPM |