S. P. Balasubrahmanyam's ' "Sri Hari" was released on its scheduled release date, May 14, 2021. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Sri Hari's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 9 in Bhaktha Prahlada by T.G. Lingappa. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Sri Hari is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Sri Hari by S. P. Balasubrahmanyam is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Soma Varnane | Sowmya, Surekha | A♭ Minor | 7 | 1A | 161 BPM | ||
| Neenillade Nanagenide | Ratnamala Prakash | D Minor | 7 | 7A | 133 BPM | ||
| Raghvendra Yathi | Sri Vdyabhushan Teertha Swamiji, Rajkumar Bharathi, Puttur Narasimha Nayak | A♭ Major | 6 | 4B | 80 BPM | ||
| Shrungeri Sharadamba | B. R. Chaya | F Major | 6 | 7B | 127 BPM | ||
| Suryodayadi Yeluva | Ajay Warriar | A Major | 8 | 11B | 95 BPM | ||
| Jogula Baviyalli Jalaka Madi | Shabbir Dange, Sujatha Dutt | D Major | 8 | 10B | 132 BPM | ||
| Kolalampur | Sulamangalam Sisters | F♯ Major | 8 | 2B | 152 BPM | ||
| Manadalli Aaseya Bare | Dr.Rajkumar | F Major | 6 | 7B | 197 BPM | ||
| Ello Jogappa Ninaramane | Vijay Aurs, Jaanapada Song | D♭ Major | 7 | 3B | 72 BPM | ||
| Arogya Siribhagyonu | Ajay Warriar, Archana Udupa | E Major | 7 | 12B | 68 BPM | ||
| Jaya Mangalam | G Balakrishna Prasad | F Major | 7 | 7B | 130 BPM | ||
| Maralu Maadi | Medha Vidyabhushan | E♭ Minor | 7 | 2A | 132 BPM | ||
| Aavu Eevina Naavu | Mysore Ananthaswamy | F Major | 5 | 7B | 80 BPM | ||
| Ensavi Ensavi | Sheshagiridas Raichur | F Major | 7 | 7B | 130 BPM | ||
| Kumbhasiya Ganapathiyu | Shashidhar Kote, K.S. Surekha | D Minor | 5 | 7A | 135 BPM | ||
| Amma Seethamma | Purnachandra, Mst. Puneeth | E Major | 3 | 12B | 108 BPM | ||
| Thingalu Mulugidavu | Appegere Thimmaraju, K.S. Surekha, Chandrika Gururaj | F Major | 5 | 7B | 80 BPM | ||
| Amma Neenu | Dr.Rajkumar, P. B. Sreenivas | D Major | 6 | 10B | 70 BPM | ||
| Kavyavu Hosa - Male Vocals | Rajkumar, Rajesh Ramanath, Shivarajkumar, Rubainaa, Neelam | D Major | 4 | 10B | 120 BPM | ||
| Ane Banthane | Anantha Kulkarni | D♭ Major | 7 | 3B | 128 BPM | ||
| Irumudi Padi | Narashima Naik | A Minor | 8 | 8A | 93 BPM | ||
| Ennappaney | Raja Rajacholan | D Major | 6 | 10B | 91 BPM | ||
| Ee Hrudaya Hadide | Chitra, Rajan–Nagendra, Chi. Udayashankar | B♭ Minor | 8 | 3A | 144 BPM | ||
| Asainthaadum Sri Sai Pallakku | S. Janaki, S. P. Balasubrahmanyam | A Major | 8 | 11B | 95 BPM | ||
| Yenu Shakthi Adagideyo | Dr.Rajkumar, M. Ranga Rao, Chi. Udayashankar | G Major | 7 | 9B | 155 BPM |