Sandie Shaw's 'Tonight In Tokyo' had a release date set for January 1, 1967. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Tonight In Tokyo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sandie Shaw's "Love Me, Please Love Me (Deluxe Edition)" album is number 19 out of 28. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Tonight In Tokyo is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Tonight In Tokyo by Sandie Shaw to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Walk Hand in Hand | Gerry & The Pacemakers | A Major | 6 | 11B | 78 BPM | ||
| If You Gotta Make a Fool of Somebody | Freddie & The Dreamers | F Major | 5 | 7B | 85 BPM | ||
| No Arms Can Ever Hold You | The Bachelors | C Minor | 6 | 5A | 108 BPM | ||
| How Do You Do It (Rerecorded) | Gerry & The Pacemakers | D Major | 4 | 10B | 122 BPM | ||
| Sunday for Tea - Stereo; 2011 Remaster | Peter And Gordon | F Major | 4 | 7B | 62 BPM | ||
| From a Jack to a King | Ned Miller | E♭ Major | 4 | 5B | 100 BPM | ||
| To Whom It Concerns | Chris Andrews | C Major | 8 | 8B | 108 BPM | ||
| Chirpy Chirpy Cheep Cheep | Middle Of The Road | E Major | 5 | 12B | 130 BPM | ||
| Bless You | Tony Orlando | D♭ Major | 6 | 3B | 125 BPM | ||
| Love Letters | Sandie Shaw | E♭ Major | 2 | 5B | 148 BPM | ||
| Lily the Pink - 1998 Remaster | The Scaffold | C Major | 7 | 8B | 122 BPM | ||
| Bend It | Dave Dee, Dozy, Beaky, Mick & Tich | D Major | 4 | 10B | 116 BPM | ||
| I Want You To Be My Baby | Billie Davis | G Major | 6 | 9B | 168 BPM | ||
| Get Lost | Eden Kane | A Major | 5 | 11B | 137 BPM | ||
| Come Back and Shake Me | Clodagh Rodgers | D♭ Major | 4 | 3B | 117 BPM | ||
| Dizzy | Tommy Roe | F♯ Major | 6 | 2B | 102 BPM | ||
| Let Me Go, Lover! | Kathy Kirby | A Major | 8 | 11B | 132 BPM | ||
| I'll Never Get Over You | Johnny Kidd & The Pirates | A Major | 6 | 11B | 142 BPM | ||
| You Can Never Stop Me Loving You | Kenny Lynch | E Major | 7 | 12B | 117 BPM | ||
| The Banner Man | Blue Mink | E♭ Major | 6 | 5B | 173 BPM | ||
| The Pied Piper | Crispian St. Peters | B Major | 6 | 1B | 127 BPM | ||
| I Pretend | Des O'Connor | F Major | 4 | 7B | 169 BPM | ||
| Here Comes Summer | Jerry Keller | A Major | 8 | 11B | 132 BPM | ||
| What Do You Want | Adam Faith | F Major | 4 | 7B | 148 BPM | ||
| Marionetas En La Cuerda | Sandie Shaw | C Major | 7 | 8B | 124 BPM |