"Toast Piano Waltz" by Stephen Rennicks had its release date on February 13, 2024. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 7 out of 33 in Alice & Jack (Original Score from the Television Series) by Stephen Rennicks. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. In terms of popularity, Toast Piano Waltz is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Toast Piano Waltz by Stephen Rennicks is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Forget the Miracle Ever Happened | Ryan Lott | C Major | 3 | 8B | 134 BPM | ||
| In My Breath | Aska Matsumiya | C Major | 1 | 8B | 60 BPM | ||
| University Papers | Bobby Krlic | G Minor | 0 | 6A | 93 BPM | ||
| Had Enough | Anne Nikitin, Jessica Jones, Tim Morrish | A Minor | 1 | 8A | 87 BPM | ||
| Haar over Hamnavoe - Bill Ryder-Jones Rework | Erland Cooper, Bill Ryder-Jones | A♭ Major | 1 | 4B | 165 BPM | ||
| Stop Sign | Michael Fassbender, Stephen Rennicks | G Major | 3 | 9B | 80 BPM | ||
| Main Title (The Notebook) | Aaron Zigman | C Major | 0 | 8B | 59 BPM | ||
| A Family Reuniting | Disasterpeace | F♯ Major | 8 | 2B | 138 BPM | ||
| Sick From The Pressure | Kevin Smuts | A Minor | 0 | 8A | 66 BPM | ||
| Childhood Objects | Emilie Levienaise-Farrouch | B Major | 1 | 1B | 70 BPM | ||
| Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Rings of Grain | Disasterpeace | B Major | 0 | 1B | 73 BPM | ||
| Am I Good Enough Now? | Carlos Rafael Rivera | D Minor | 0 | 7A | 88 BPM | ||
| Dimming - From "Close" Original Motion Picture Soundtrack | Valentin Hadjadj | F Minor | 0 | 4A | 180 BPM | ||
| A Warm Breeze | Eva Tiedemann | E Minor | 0 | 9A | 71 BPM | ||
| My Sanctuary | Amelia Warner | F Major | 1 | 7B | 63 BPM | ||
| Marianne Takes a Picture | Stephen Rennicks | F Major | 0 | 7B | 79 BPM | ||
| The Hospital | Jordan Seigel | D♭ Major | 0 | 3B | 88 BPM | ||
| Slightly Bad Form | Anthony Willis, London Contemporary Orchestra | A Minor | 0 | 8A | 78 BPM | ||
| Truths | Ludwig Göransson | A Minor | 1 | 8A | 129 BPM | ||
| Ruth's Betrayal | Rachel Portman | E Minor | 0 | 9A | 83 BPM | ||
| Rose Garden | Jon Brion | D Minor | 2 | 7A | 97 BPM | ||
| Time Passing II | Mark Isham | A Major | 1 | 11B | 82 BPM | ||
| You Gain Something Too | Christopher Bear, Daniel Rossen | A Minor | 6 | 8A | 77 BPM | ||
| Crossing | Christopher Bear, Daniel Rossen | D♭ Major | 2 | 3B | 88 BPM |