HIM's 'Salt In Our Wounds (John Fryer Mix)' had a release date set for December 9, 2014. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 20 in Deep Shadows and Brilliant Highlights (Deluxe Remastered Edition) by HIM. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Salt In Our Wounds (John Fryer Mix)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Salt In Our Wounds (John Fryer Mix) by HIM is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Memory | A Heartwell Ending | A Minor | 9 | 8A | 164 BPM | ||
| Diamond Baby | Icon & The Black Roses | D♭ Minor | 10 | 12A | 130 BPM | ||
| Wherever I Stand - Acoustic Version | Taproot | D Major | 7 | 10B | 93 BPM | ||
| On Lucid Wings | Evereve | G Minor | 9 | 6A | 132 BPM | ||
| Where Good Girls Go to Die | London After Midnight, Sean Brennan | G Major | 8 | 9B | 85 BPM | ||
| Cassandra | Theatre Of Tragedy | A Minor | 7 | 8A | 74 BPM | ||
| Skeletons | Wednesday 13 | D Major | 10 | 10B | 128 BPM | ||
| Misery's Dawn | Evereve | D Major | 8 | 10B | 162 BPM | ||
| Resurrection (PRCX Version) | HIM | E Minor | 7 | 9A | 120 BPM | ||
| This Paradise - Alt. Take | London After Midnight | E Minor | 9 | 9A | 128 BPM | ||
| Beyond Forever | Seraphim Shock | G Major | 8 | 9B | 118 BPM | ||
| Storm | Reflexion | F♯ Major | 5 | 2B | 95 BPM | ||
| Hate Culture | William Control | G Major | 8 | 9B | 120 BPM | ||
| Grace | Entwine | F♯ Minor | 6 | 11A | 138 BPM | ||
| Shadow Realm | Seraphim Shock | B Major | 8 | 1B | 120 BPM | ||
| Re-Creation | Orgy | D♭ Major | 9 | 3B | 160 BPM | ||
| A Night Without Tears | 616 | B♭ Major | 9 | 6B | 122 BPM | ||
| Fall | Charon | G Minor | 6 | 6A | 95 BPM | ||
| Lust & Innocence | Catafalque | E Minor | 8 | 9A | 77 BPM | ||
| Welcome to the Strange | Murderdolls | E Major | 9 | 12B | 123 BPM | ||
| Move On! (The Woman Will Always Leave The Man) | Woods Of Ypres | F♯ Major | 7 | 2B | 120 BPM | ||
| You | The Vantages | E Minor | 8 | 9A | 102 BPM | ||
| Smile | Ashbury Heights | A Minor | 9 | 8A | 128 BPM | ||
| Drunk on Shadows | HIM | D♭ Minor | 9 | 12A | 132 BPM | ||
| Love/Loss | The Vantages | A♭ Minor | 3 | 1A | 142 BPM |