On January 1, 1987, the song "Hein Mück" was released by Hans Albers. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Hein Mück's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hans Albers's "Hoppla, Jetzt Komm' Ich" album is number 16 out of 16. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Hein Mück is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hein Mück by Hans Albers to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ach das könnte schön sein | Wolfgang Neuss, Wolfgang Müller | C Major | 4 | 8B | 62 BPM | ||
| Musik ist Trumpf | Hazy Osterwald Sextett | G Minor | 7 | 6A | 146 BPM | ||
| Der weiße Mond von Maratonga | Lolita | G Major | 2 | 9B | 86 BPM | ||
| Anneliese | Hans Arno Simon | F Major | 6 | 7B | 131 BPM | ||
| Wer soll das bezahlen? | Jupp Schmitz, Hermann Hagestedt Orchestra, Hermann Hagestedt | C Major | 4 | 8B | 198 BPM | ||
| Pack die Badehose ein - Remastered 2005 | Conny Froboess | D♭ Major | 5 | 3B | 110 BPM | ||
| Es geht alles vorüber, es geht alles vorbei | Lale Andersen | F Major | 3 | 7B | 106 BPM | ||
| Charly Brown - Remastered 2004 | Hans Blum | A♭ Major | 6 | 4B | 114 BPM | ||
| So Ein Tag, So Wunderschön Wie Heute - 2007 Digital Remaster | Mainzer Hofsänger | F Major | 4 | 7B | 85 BPM | ||
| Vor meinem Vaterhaus steht eine Linde | Willy Schneider | A♭ Major | 3 | 4B | 77 BPM | ||
| Das Ländermatch | Pirron und Knapp | A Major | 9 | 11B | 85 BPM | ||
| Unsre Heimat | Pionierchor "Edgar André" des Berliner Rundfunks | E Major | 2 | 12B | 117 BPM | ||
| Einer ist immer der Loser (Einer muss immer verliern) | Stephan Remmler | F Major | 3 | 7B | 89 BPM | ||
| Es liegt was in der Luft | Bully Buhlan, Mona Baptiste | A♭ Major | 4 | 4B | 76 BPM | ||
| Ich stemm' die Fleischwurst | Ernst Neger | E♭ Major | 7 | 5B | 117 BPM | ||
| Im roten Licht der Hafenbar | Lale Andersen | G Minor | 4 | 6A | 91 BPM | ||
| Hämmerchen-Polka (Das Sparschwein) | Chris Howland | C Major | 6 | 8B | 102 BPM | ||
| Rolling Home | Shantychor der Polizei | B♭ Major | 4 | 6B | 76 BPM | ||
| In Hamburg sind die Nächte lang - 2005 Digital Remaster | Fred Bertelmann | D♭ Major | 4 | 3B | 103 BPM | ||
| Da geh' ich ins Maxim | Johannes Heesters | D Major | 3 | 10B | 145 BPM | ||
| Nic ist braun wie eine Kaffeebohne | Hans Albers | C Major | 5 | 8B | 128 BPM | ||
| Tante Hedwig | Heinz Erhardt | B♭ Major | 3 | 6B | 115 BPM | ||
| Mit siebzehn | Peter Kraus | D♭ Major | 7 | 3B | 136 BPM | ||
| Das kann doch einen Seemann nicht erschüttern | Heinz Rühmann | D Minor | 7 | 7A | 125 BPM | ||
| Kriminal-Tango | Hazy Osterwald Sextett | F Minor | 4 | 4A | 123 BPM |