The Starting Line's ' "Inspired By The $" was released on its scheduled release date, January 1, 2005. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Inspired By The $'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 13 in Based On A True Story by The Starting Line. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Inspired By The $ is currently below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Inspired By The $ by The Starting Line is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Your New Aesthetic | Jimmy Eat World | B Minor | 9 | 10A | 165 BPM | ||
| Iron in the Backseat | Daphne Loves Derby | F♯ Major | 7 | 2B | 171 BPM | ||
| Around the Clock | The Rocket Summer | D Major | 8 | 10B | 81 BPM | ||
| The Ultimate Cover Up | The Audition | E♭ Minor | 9 | 2A | 175 BPM | ||
| Ship To Shore | The Movielife | A♭ Major | 9 | 4B | 108 BPM | ||
| Elevators Are Matchmakers | June | D Major | 10 | 10B | 175 BPM | ||
| Ruthless | Something Corporate | D♭ Major | 7 | 3B | 91 BPM | ||
| The Only Thing That Matters | Spitalfield | G Major | 9 | 9B | 152 BPM | ||
| Cut Me Up Jenny | Taking Back Sunday | D♭ Major | 9 | 3B | 155 BPM | ||
| If You Don't, Don't | Jimmy Eat World | D♭ Major | 9 | 3B | 140 BPM | ||
| Halcyon Daze | Hidden In Plain View | A Major | 7 | 11B | 135 BPM | ||
| The Point | Hidden In Plain View | A Major | 8 | 11B | 176 BPM | ||
| It's Something | The Movielife | D♭ Major | 9 | 3B | 94 BPM | ||
| If Tragedy's Appealing, Then Disaster's an Addiction | Moneen | A Major | 7 | 11B | 136 BPM | ||
| To My Better Angel | Northstar | G Major | 9 | 9B | 186 BPM | ||
| Congratulations Matt and Christine | Reggie And The Full Effect | G Major | 10 | 9B | 155 BPM | ||
| Tell Me Everything | Just Surrender | C Minor | 10 | 5A | 186 BPM | ||
| We Give Up Sometimes | Name Taken | D♭ Minor | 9 | 12A | 155 BPM | ||
| It's Too Late | The Audition | A♭ Minor | 6 | 1A | 95 BPM | ||
| La Rivalita | The Audition | F♯ Major | 9 | 2B | 180 BPM | ||
| Cool for One Night | Hot Rod Circuit | D Major | 9 | 10B | 126 BPM | ||
| I'll Wait for You | Sherwood | D Major | 8 | 10B | 159 BPM | ||
| Bendy | Hidden In Plain View | C Major | 9 | 8B | 178 BPM | ||
| Post Script | Finch | D♭ Major | 8 | 3B | 100 BPM | ||
| Believe In What You Want | Jimmy Eat World | D Minor | 7 | 7A | 150 BPM |