Nick Earle's 'Angel from Montgomery' had a release date set for June 1, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 10 in Breaking New Ground by Nick Earle. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Angel from Montgomery is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Angel from Montgomery by Nick Earle is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| End of the Road | Patrick & the LVB | F Minor | 8 | 4A | 87 BPM | ||
| Hate You | American Slang | B Minor | 10 | 10A | 117 BPM | ||
| R.E.T.R.O. | Sam Scherdel | F Major | 9 | 7B | 125 BPM | ||
| Underdog | Devin Cooper | D Major | 8 | 10B | 110 BPM | ||
| Concrete Cowboy | Matt Gumley | B Minor | 8 | 10A | 150 BPM | ||
| Drunk & Grateful | Dalton & the Sheriffs | G Major | 9 | 9B | 152 BPM | ||
| Might Be The Night | Robbie Mortimer | F Major | 9 | 7B | 125 BPM | ||
| Rockstar | Envy Marshall | G Major | 7 | 9B | 122 BPM | ||
| Too Long To Type | Adam Rodway | B Major | 9 | 1B | 145 BPM | ||
| Lose My Mind | Revelry | A Major | 8 | 11B | 140 BPM | ||
| Motor Lodge | John Zdrojeski | B Major | 6 | 1B | 173 BPM | ||
| Threw on a Record | Small-Town Strip Club | F Major | 9 | 7B | 124 BPM | ||
| Pretty Little Heartbreak | Boston Levi | F Major | 9 | 7B | 162 BPM | ||
| The Breakdown | The Trews | B♭ Major | 10 | 6B | 175 BPM | ||
| The Best Part of My Life | David Lindley | F Major | 9 | 7B | 125 BPM | ||
| If We Want To | Chevy Beaulieu | F♯ Minor | 8 | 11A | 160 BPM | ||
| Somewhere Tonight | Jason Blaine | G Major | 9 | 9B | 131 BPM | ||
| Chaos | Sunset Sinners | D Major | 7 | 10B | 107 BPM | ||
| Lost Love | The Missing Diamonds | F Major | 9 | 7B | 125 BPM | ||
| Better man | Working Royals | D Major | 6 | 10B | 144 BPM | ||
| Kind Hearted Woman | Nick Earle & The Reckless Hearts, the Reckless Hearts | D Major | 8 | 10B | 92 BPM | ||
| Saving the Hearts | Kip Bell | F Major | 9 | 7B | 125 BPM | ||
| Fly On, Spaceman | Thad Zylka & Motor City Midnight | D Major | 6 | 10B | 126 BPM | ||
| Sweet Home Chicago | Joseph Coffin, Nick Earle | G Major | 4 | 9B | 121 BPM | ||
| Chasing | Brett Kohler, The Detours | A Major | 8 | 11B | 155 BPM |