"Theme from Love Story" by Norman Scott had its release date on 1996. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Norman Scott's "Harmonica Gold" album is number 15 out of 18. On top of that, Australia appears to be the country where this track was created. The popularity of Theme from Love Story is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Theme from Love Story by Norman Scott to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tannhauser, Act I: Act I: Wer ist der dort in brunstigem Gebete? (Landgraf, Sanger, Wolfram, Tannhauser) | Richard Wagner, Jerome Hines, Ramon Vinay, George London, Brian Sullivan, Clifford Harvuot, Paul Franke, Norman Scott, Margaret Harshaw, Astrid Varnay, Roberta Peters, New York Metropolitan Opera Chorus, Metropolitan Opera Orchestra, George Szell | E♭ Major | 4 | 5B | 78 BPM | ||
| Lucia di Lamermoor: Act I: Scene 2: Tu sei turbato! | Gaetano Donizetti, Fausto Cleva, Metropolitan Opera Orchestra, James McCracken, Frank Guarrera, Norman Scott | D♭ Major | 3 | 3B | 61 BPM | ||
| Falstaff: Act I: Scene 2: È un ribaldo, un furbo, un ladro | Giuseppe Verdi, Arturo Toscanini | C Major | 2 | 8B | 127 BPM | ||
| Too Much Heaven | Graham Turner | D♭ Major | 4 | 3B | 168 BPM | ||
| Love Hurts | Box Tree Orchestra | A Major | 2 | 11B | 114 BPM | ||
| I’ll Fly Away | Notes from Pniël | D♭ Major | 1 | 3B | 120 BPM | ||
| Goodbye Yellow Brick Road | Noah Perry | F Major | 4 | 7B | 122 BPM | ||
| Fernando | Pepito Ros e A.M.P. | A Major | 6 | 11B | 106 BPM | ||
| Up Where We Belong | The Harry Lyd Orchestra | D Major | 4 | 10B | 140 BPM | ||
| Salome, Op. 54, TrV 215, Scene 1: Wie schon ist die Prinzessin Salome heute nacht! | Richard Strauss, Paul Schöffler, Gabor Carelli, Ramón Vinay, James McCracken, Blanche Thebom, Alessio De Paolis, Paul Franke, Brian Sullivan, Gerhard Pechner, Mildred Miller, Nicola Moscona, Metropolitan Opera Orchestra, Dimitri Mitropoulos, Calvin Marsh, Norman Scott, Lorenzo Alvary, Osie Hawkins, Christel Goltz, Vilma Georgiou | E♭ Major | 1 | 5B | 128 BPM | ||
| Careless Whisper | Phillip La Grande | D Minor | 6 | 7A | 78 BPM | ||
| Rainy Days and Mondays | Birmingham Light Orchestra | B Major | 3 | 1B | 130 BPM | ||
| Blue Eyes | Noah Perry | G Minor | 3 | 6A | 108 BPM | ||
| There's a Kind of Hush | Birmingham Light Orchestra | D Major | 6 | 10B | 128 BPM | ||
| Cherish | John Fox | F Major | 3 | 7B | 109 BPM | ||
| Candle in the Wind | Graham Turner | E Major | 6 | 12B | 132 BPM | ||
| Fernando | John Temple | A Major | 3 | 11B | 109 BPM | ||
| New York, New York | Francis Dupont | F Major | 3 | 7B | 106 BPM | ||
| Aida: Fu la sorte dell'armi a tuoi funesta | Giuseppe Verdi, Enzo Felicitati, Oralia Dominguez, Maria Curtis Verna, Umberto Borso, Ettore Bastianini, Uberto Scaglioni, Norman Scott, Orchestra & Chorus of the Teatro La Fenice | A Minor | 2 | 8A | 63 BPM | ||
| La Bohème: Quando me'n vo' | Giacomo Puccini, Laurel Hurley, Mario Sereni, Lorenzo Alvary, Licia Albanese, Clifford Harvuot, Carlo Bergonzi, Norman Scott, Thomas Schippers | F♯ Minor | 2 | 11A | 80 BPM | ||
| Careless Whisper - Piano Version | John Troutman | D Minor | 3 | 7A | 153 BPM | ||
| Reunited | The Intimate Orchestra | D Minor | 5 | 7A | 180 BPM | ||
| The Rake's Progress, Act I: Come, Tom... | Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner | A♭ Major | 1 | 4B | 83 BPM | ||
| La Bohème: Pensier profondo! | Giacomo Puccini, Mario Sereni, Norman Scott, Carlo Bergonzi, Thomas Schippers | F♯ Minor | 2 | 11A | 80 BPM | ||
| Saving All My Love for You | Cantovano and His Orchestra | F♯ Minor | 5 | 11A | 105 BPM |