"Why am I a girl?" by Ricky Ian Gordon, Frank Bidart, Nathan Gunn, Jennifer Zetlan, Lidiya Yankovskaya had its release date on September 25, 2020. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Why am I a girl?'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 22 in Ellen West by Ricky Ian Gordon, Frank Bidart, Nathan Gunn, Jennifer Zetlan, Lidiya Yankovskaya. The popularity of Why am I a girl? is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Why am I a girl? by Ricky Ian Gordon, Frank Bidart, Nathan Gunn, Jennifer Zetlan, Lidiya Yankovskaya is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude to a kiss | Duke Ellington, Barbara Hendricks, The Monty Alexander Trio | G Major | 1 | 9B | 87 BPM | ||
| Frasquita: "My Little Nest of Heavenly Blue" | Franz Lehár, Jonas Kaufmann, Berlin Radio Symphony Orchestra, Jochen Rieder | A Major | 0 | 11B | 129 BPM | ||
| Oh pourquoi donc, S. 301a | Franz Liszt, Katharina Konradi, Daniel Heide | E Major | 0 | 12B | 67 BPM | ||
| The Medium, Act I: "the Sun has fallen" (Monica) | Gian Carlo Menotti, Patrice Michaels, Joyce Castle, Diane Ragains, Peter Van De Graaff, Barbara Landis, Joanna Lind, Chicago Opera Theater Ensemble, Lawrence Rapchak | G Minor | 0 | 6A | 72 BPM | ||
| Rusalka, Op. 114 / Act 3: Mám, zlaté vlásky mám | Antonín Dvořák, Dana Buresova, Livia Aghova, Hana Minutillo, Franz Hawlata, Kühn Mixed Choir, Czech Philharmonic, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
| Love to Me | Matthew Morrison, Adam Guettel | D Major | 1 | 10B | 146 BPM | ||
| Pesni milosne Hafiza, Op.26 (Love songs of Hafiz): Zyczenia - Desires | Karol Szymanowski, Sir Simon Rattle/City of Birmingham Orchestra/City of Birmingham Symphony Chorus/Simon Halsey/Iwona Sobotka/Timothy Robinson/Katarina Karnéus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, City of Birmingham Orchestra | B Major | 0 | 1B | 58 BPM | ||
| Hai luli | Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung | G Minor | 1 | 6A | 100 BPM | ||
| The World Goes 'Round | Brenda Pressley | B Minor | 1 | 10A | 105 BPM | ||
| Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | ||
| Chansons pour les oiseaux: No. 1, La colombe poignardée | Louis Beydts, Julie Roset, Susan Manoff | D Major | 1 | 10B | 112 BPM | ||
| The Eternal Road, Act III, the Kings, Scene 24 (cont.): Ruth and Boaz | Kurt Weill, Sigurd Brauns, Ted Christopher, Ian DeNolfo, Karl Dent, Constance Hauman, James Maddalena, Barbara Rearick, Vale Rideout, Manfred Roost, Hanna Wollschlager, Ernst Senff Chor Berlin, Berlin Radio Children's Choir, Rundfunk-Sinfonieorchester Ber | F Major | 2 | 7B | 127 BPM | ||
| Marta | Anthony Crivello, Keith McDaniel, Robert Montano, Dan O'Grady, Raymond Rodriguez, John Norman Thomas, Joshua Finkel, Gary Schwartz, Jerry Christakos, Aurelio Padron | D♭ Major | 1 | 3B | 57 BPM | ||
| Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 8, Allerseelen (Version with Orchestra) | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
| Callas is my favorite singer | Ricky Ian Gordon, Frank Bidart, Nathan Gunn, Jennifer Zetlan, Lidiya Yankovskaya | A♭ Major | 2 | 4B | 77 BPM | ||
| Porgy And Bess: Oh, Nobody Knows When de Lord Is Gonna Call | George Gershwin, Bernard Thacker, Larry Marshall, Alexander B. Smalls, Wilma Shakesnider, Glover Parham, Hartwell Mace, Houston Grand Opera Men's Ensemble, Betty Lane, John DeMain, Houston Grand Opera Orchestra | D Major | 2 | 10B | 163 BPM | ||
| Come to Me in My Dreams, H. 71 - Musical Moments | Frank Bridge, Theodore Platt, Keval Shah | D Major | 1 | 10B | 112 BPM | ||
| Anything For Him | Chita Rivera, Brent Carver, Anthony Crivello | E Major | 2 | 12B | 68 BPM | ||
| Trees | Oscar Rasbach, Bryn Terfel, Czech Philharmonic, Paul Bateman | F Major | 1 | 7B | 83 BPM | ||
| Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" | Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 0 | 5A | 101 BPM | ||
| Emily — No Prisoner Be: No. 15, The Props assist the House | Kevin Puts, Time For Three, Joyce DiDonato | D Major | 1 | 10B | 112 BPM | ||
| Emily — No Prisoner Be: No. 12, I tie my Hat - I crease my Shawl | Kevin Puts, Time For Three, Joyce DiDonato | D Major | 1 | 10B | 112 BPM | ||
| Frauenliebe und -leben Op. 42: 5. Helft mir, ihr Schwestern | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 1 | 6B | 85 BPM | ||
| See What It Gets You | Lee Remick, Original Broadway Cast of Anyone Can Whistle | F Minor | 5 | 4A | 180 BPM | ||
| Stars (From "Only Heaven") | Ricky Ian Gordon, Langston Hughes, Clare Gormley, Kevin Murphy | F Major | 1 | 7B | 169 BPM |