"All Down but 9" by Excide had its release date on March 7, 2024. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. All Down but 9's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Excide's "Humdinger" album is number 2 out of 2. On top of that, Germany appears to be the country where this track was created. In terms of popularity, All Down but 9 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of All Down but 9 by Excide to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dread Weight | Orthodox | C Major | 10 | 8B | 131 BPM | ||
| Shame | Mugshot | B♭ Minor | 10 | 3A | 149 BPM | ||
| LOOKING GLASS | Spite, Boundaries | D♭ Major | 10 | 3B | 130 BPM | ||
| Hard 2 Kill | Pincer+ | A♭ Major | 9 | 4B | 163 BPM | ||
| Eagles Become Vultures - Audiotree Version | Converge, Audiotree | C Major | 10 | 8B | 95 BPM | ||
| Heartware | Excide | A♭ Major | 10 | 4B | 161 BPM | ||
| Mr. Microphone | The Barbarians of California | D♭ Minor | 10 | 12A | 175 BPM | ||
| One Thing at a Time | Gumm | A Major | 9 | 11B | 136 BPM | ||
| To One Far Away | False Reality | A Major | 10 | 11B | 155 BPM | ||
| Virtue Delusion | Gumm | C Major | 9 | 8B | 164 BPM | ||
| On a Superposition | Snooze | F Major | 9 | 7B | 176 BPM | ||
| The Portrait, Now Perceived | Excide | A♭ Major | 8 | 4B | 93 BPM | ||
| DOGHOUSE | Pintglass, False Reality | F Major | 10 | 7B | 87 BPM | ||
| Kill | Shields | F Major | 9 | 7B | 120 BPM | ||
| The Captain | EYES, Feral Nature | G Major | 10 | 9B | 160 BPM | ||
| Satellite In Love | Greyhaven | E Minor | 10 | 9A | 95 BPM | ||
| Tempest | Rolo Tomassi | G Major | 7 | 9B | 120 BPM | ||
| They Circle Below | Terminal Sleep | G Major | 10 | 9B | 165 BPM | ||
| Amateurs | Many Eyes | D Major | 10 | 10B | 96 BPM | ||
| Parasites | Shields | F Major | 9 | 7B | 120 BPM | ||
| incest | Bodyweb | B Major | 8 | 1B | 103 BPM | ||
| sugarcoated | Bodyweb | F♯ Minor | 9 | 11A | 110 BPM | ||
| No Escape | SPACED | G Minor | 10 | 6A | 162 BPM | ||
| Out of Touch | Last Hounds | F Major | 9 | 7B | 120 BPM | ||
| Jeremiah 11:11 | The Undertaking! | C Major | 10 | 8B | 175 BPM |